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Science fiction film set in a future where humans live in the safe solitude of their own homes whilst communicating through robots acting as surrogates. The robots not only carry out the lives of the humans, they also look like them with an enhanced physical appearance. Bruce Willis stars as FBI Agent Greer who assigns his own surrogate to help him inspect the murder of a college student with links to the creator of the surrogates. As the complexity of the case intensifies, however, the reclusive detective realises that in order to have a chance of catching the killer he must brave the outside world, leaving the safety of his own home. With the help of Agent Peters (Radha Mitchell), Agent Greer attempts to track down the killer and uncover the intrigue surrounding the surrogate facade. (Walt Disney Studios Home Entertainment)

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Reviews (8)

3DD!3 

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English It would probably have been better if they hadn’t given away almost the whole movie in the first clip, but in any case I reasonably enjoyed myself. Some of it is seriously gourmet style (yep, the chase with the one-armed Bruce), but most of it was more like marzipan on an over-sweet cake. The story is clearly not fully thought through, even though I’m ready to believe that as a comic book it was at least 50% better. Also, I didn’t much like Mostow’s plastic vision. Did they all really have to look THAT artificial? ()

Kaka 

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English A proper fiasco. Bruce Willis is clearly bored and wasting his time on unsuccessful and rip-off sci-fi flicks. Jonathan Mostow completely failed, Rosamund Pike’s breasts are three sizes larger than her standard, which sticks out like a sore thumb on Surrogates, and overall, this colourful and non-contact fairy tale is just golden tinsel that hardly earned its keep. I recommend avoiding it completely. ()

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DaViD´82 

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English The square root of film adaptations of Phillip K. Dick, both the good and the bad ones. A generic and stupid sci-fi B-movie with a not stupid idea that the right hands could be the base of a new Blade Runner. In the end, it’s actually like Total Recall, but without the action. ()

Isherwood 

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English If Mostow has been considered a solid craftsman up to now, he will now be considered a desperate routinist... and a thief to boot. As long as it still follows the popcorn rules à la I, Robot, we can enjoy the slightly B-movie atmosphere, which is carried by Willis's cynical smile and funny toupee. Then we get some mentoring according to Issac Asimov and Phillip K. Dick in the visual diction of Terminator 3 and everything goes to hell. It wouldn't have had to be this way if someone had bothered to add some extra runtime, given the characters some life, and if the film had at least one memorable scene. The result is the most ridiculous blockbuster of the year, which I predict will become a cult film in a few years and a must-have in the "guilty pleasure" collectors' kit. ()

POMO 

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English Surrogates is to some extent a B- movie with a grade-A budget. It is based on an interesting idea that aptly allegorizes the artificiality of contemporary peroxide-and-shopping culture. However, it needed a more ambitious screenwriter who would write something more than an action-packed forgettable flick made marketable thanks to Bruce Willis. In the film, we find motifs familiar from Children of Men (“dreadlocked guys” on the margins of society) and the attractive high-tech visuals of I, Robot, and it wants to be deadly serious like Spielberg’s Minority Report. However, unlike those movies, Surrogates does not dare to take a single step in its own direction and prefers to work with proven twists, tries to look clever by being unnecessarily contrived and at least in one (the final) scene, it is even ridiculous due to the futility of its screenplay. The character of the dreadlocked “Prophet”, played by Ving Rhames, is not well executed; Willis himself is alright as the only link between the viewer and the real world of living people, but unfortunately without any cool lines or humor, which could have provided some needed comic relief. ()

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