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Science fiction film set in a future where humans live in the safe solitude of their own homes whilst communicating through robots acting as surrogates. The robots not only carry out the lives of the humans, they also look like them with an enhanced physical appearance. Bruce Willis stars as FBI Agent Greer who assigns his own surrogate to help him inspect the murder of a college student with links to the creator of the surrogates. As the complexity of the case intensifies, however, the reclusive detective realises that in order to have a chance of catching the killer he must brave the outside world, leaving the safety of his own home. With the help of Agent Peters (Radha Mitchell), Agent Greer attempts to track down the killer and uncover the intrigue surrounding the surrogate facade. (Walt Disney Studios Home Entertainment)

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Reviews (8)

Zíza 

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English Bruce gave himself a nice old bit of action, but so why not, it didn't look awkward at all... only the hairpiece in the robo-creature was really funny... :-D I think it's a shame that the movie got such a low rating, I don't think it deserves it, but I get it. It's such a tired, long-winded, bland and flavorless film, even though it's only 88 minutes long. Which is a pity. For such a rip-off... ;-)) [SPOILER] And once again, everyone survived, and once again, Bruce was so awesome, brilliant and moral; coincidentally, the idea of wiping out 98% of the human population isn't so bad... X-D ()

D.Moore 

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English Definitely above average. Neither Bruce Willis nor Jonathan Mostow disappointed and they made a quality summer spectacle, but it didn't hit the movie theaters until the autumn. Oh well. The film went by pleasantly fast, 90 minutes felt like nothing, it hardly lost momentum and everything in it was clear and nice to look at. I have no reservations about the action scenes and effects, or the actors and actresses. Don't expect philosophy, don't expect "another Matrix or I, Robot", expect fun with a bit of thought put into it. ()

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gudaulin 

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English I like positive sci-fi and because the genre has received a nice beating from fantasy in the last two decades, and pure sci-fi films are currently quite rare. I should thus appreciate any film not teeming with wizards, elves, dragons, or mythical powers. Unfortunately, a lot more is needed for a quality experience and one of the fundamental things I insist on is for the fantastic world to be logical and fully functional within its system. Unfortunately, Surrogates completely fails in this regard. Practically the whole film submits to the superficial spectacle with slick visuals, top-notch special effects, a star-studded cast, and an overall bombastic production. However, the screenplay is full of holes and I would have to completely turn off my brain for this spectacle to become bearable for me. Some films only take a part of their source material and forfeit deeper meaning, but if they function within their invented world, I have no major objections to a popcorn spectacle. But Mostow's world is built on nonsense. It is simply subservient to us watching flashy chases ending with a helicopter crash or robot surrogates jumping from one car to another. It is even more disappointing considering the involvement of several excellent actors and the wasted budget. Overall impression: 25%. ()

POMO 

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English Surrogates is to some extent a B- movie with a grade-A budget. It is based on an interesting idea that aptly allegorizes the artificiality of contemporary peroxide-and-shopping culture. However, it needed a more ambitious screenwriter who would write something more than an action-packed forgettable flick made marketable thanks to Bruce Willis. In the film, we find motifs familiar from Children of Men (“dreadlocked guys” on the margins of society) and the attractive high-tech visuals of I, Robot, and it wants to be deadly serious like Spielberg’s Minority Report. However, unlike those movies, Surrogates does not dare to take a single step in its own direction and prefers to work with proven twists, tries to look clever by being unnecessarily contrived and at least in one (the final) scene, it is even ridiculous due to the futility of its screenplay. The character of the dreadlocked “Prophet”, played by Ving Rhames, is not well executed; Willis himself is alright as the only link between the viewer and the real world of living people, but unfortunately without any cool lines or humor, which could have provided some needed comic relief. ()

DaViD´82 

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English The square root of film adaptations of Phillip K. Dick, both the good and the bad ones. A generic and stupid sci-fi B-movie with a not stupid idea that the right hands could be the base of a new Blade Runner. In the end, it’s actually like Total Recall, but without the action. ()

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