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Based on the acclaimed novel by Stephenie Meyer, is the highly-anticipated movie of the ultimate forbidden love affair between a vampire and mortal. Bella Swan (Kristen Stewart) has always been a little bit different, never caring about fitting in with the trendy girls at her Phoenix high school. When her mother remarries and sends Bella to live with her father in the rainy little town of Forks, Washington, she doesn’t expect much of anything to change. Then she meets the mysterious and dazzlingly beautiful Edward Cullen (Robert Pattinson), a boy unlike any she’s ever met. Intelligent and witty, he sees straight into her soul. Soon, Bella and Edward are swept up in a passionate and decidedly unorthodox romance. Edward can run faster than a mountain lion, he can stop a moving car with his bare hands – and he hasn’t aged since 1918. Like all vampires, he’s immortal. But he doesn’t have fangs, and he doesn’t drink human blood, as Edward and his family are unique among vampires in their lifestyle choice. To Edward, Bella is that thing he has waited 90 years for – a soul mate. But the closer they get, the more Edward must struggle to resist the primal pull of her scent, which could send him into an uncontrollable frenzy. But what will they do when Laurent (Edi Gathegi) and James (Cam Gigandet), the Cullens’ mortal vampire enemies, come to town, looking for Bella? (Entertainment One)

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Isherwood 

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English The mistake must have been made in the book because I don't believe that any dramaturgist would see such dialogue on paper and not immediately whip the scriptwriter for it. One rhetorical gem after another, let loose from the mouths of perhaps the most awkward lovelorn couple of recent years - Kristen Stewart and Robert Pattinson, along with Catherine Hardwicke's tired, unnecessary, and underdeveloped direction, alternated within me a gloating smile with deep yawns. There’s so much wrong with the film that I wonder if someone wanted to sabotage Hollywood in the most insidious way. It’s quite the guilty pleasure, as well the knowledge that I have never wished to be a 15-year-old girl who paints her nails black, stabs the surroundings with her rough eyes, and the highlight of her pleasure is getting deflowered by a pale dude she meets at a gothic convention. Let’s go, I want the next film! :) ()

novoten 

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English Some romantic seductions simply cannot be resisted. Fans of the Whedonverse can be hardly surprised by anything, and as a non-reader of the source material, I slowly started to get lost in the finale. However, the convenient dynamics in building tension, the irresistible Kristen, and the perfect trio of scenes (Listening to Debussy, Jumping onto a tree, Playing the piano) decided that occasional subtle criticisms of logic are easily swallowed. Those who are romantically inclined will be in seventh heaven. After the second screening, a solid four-star rating. ()

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POMO 

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English A contagiously seductive and fragrant combination of classic horror elements, an innocent concept of platonic love, hackneyed plot clichés, Matrix visuals, beautiful natural locations, a Volvo C30 and metrosexuality. How can you resist something like that, especially when it tries to look deadly serious in all its childish naivety? The film is an embodiment of everything that the teenagers of today consider “in” and that sells well. If it hadn’t taken the central couple so long to get together, I might have even condescended to give this a higher rating. A guilty pleasure. ()

Zíza 

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English Those who have read the book will be happy, they will get everything, they will say: "Yay", they'll love the characters right away. But those who haven't? Oh, it will be very hard to digest – I suppose. I was debating whether to give it 3 or 4 stars, but in the end it was 3. Why? It might sound a bit presumptuous, but it could have been made into a better movie, I could have done it... Yikes, a bit pretentious, I get it :-D But seriously, it just didn't leave anything in me, I was even bored in some parts and there was so much that could have been said! I just found it unfinished... At least I started listening to Linkin Park again, that's good :-) ()

Kaka 

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English The reflection of today's scented times. In 1999, we received the action-packed The Matrix, which set the course for the next few years, and now we have Twilight as part of a modern romantic experience. It's not sophisticated or epic, it just cleverly maneuvers in the field of what young audiences want: attractive visuals, music, the looks of the protagonists, a simple plot without unnecessary fuss, sincerity, and the relative awareness of the main characters, all set in an alluring and still not completely exhausted vampire mythology. A phenomenon that may lose its shine in a few years, but today it sets the direction in many aspects. We can only blame ourselves for it. ()

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