The Trial of the Chicago 7

A history lesson for high school students led by a vain teacher who likes to show how he can popularize an interpretation even at the cost of losing the essentials. It's a courtroom sitcom that still balances on the edge of a caricature. The connection between the court proceedings and the events during the demonstration is laborious in terms of the directing, and the screenplay, despite having a good rhythm, sometimes feels like its showing off. The acting is satisfactory and it's not boring, but for me it doesn't have any deeper impact beyond decent fun, with a somewhat clumsy ambition to become a society-wide event. (22/10/2020)

"The whole world is watching." The Trial of the Chicago 7 benefits in particular from an excellent cast and a real-life story. Although the film is mostly set in a courtroom and consists mainly of courtroom dialogue, accusations, objections, testimony, etc., it does not come across as unnecessarily verbose and boring; on the contrary, it thrills through verbal shootouts and confrontations between the various characters, which it manages to do until the very end. Of the actors, Sacha Baron Cohen, Frank Langella, Mark Rylance and, in a smaller role, Michael Keaton were the best, but , the other actors also played their parts in a convincing manner. The film skillfully blends period footage with Aaron Sorkin's reconstruction of the actual case, and engagingly highlights the age-old struggle between ordinary honest people and a politically amoral system. (17/04/2021)

What really impressed me was how this issue was treated in the film. Yet again, I witnessed how American "democracy" works in practice. I did not doubt for a moment that a poetic (or rather creative) license was used many times but given Mr. Hoover's long-term work and the nice tradition of McCarthyism, I don’t care. Mark Rylance was brilliant again. (30/11/2020)

The acting is so good, I'd gladly watch it all over again this minute. And amazingly its Cohen who carried it for me, despite the fact that I’m not exactly a fan. Whether he was joking or being serious, I totally believed that this is exactly the kind of person that existed back then. Having seen the whole thing, I rate the script as successful, but I guess I won't be the only one who wasn't hooked at first. Once the courtroom opened, the powerful, at times sad, at times funny trial began, with the aforementioned cast delivering a beautiful, at times heartbreaking, performance. Still, I feel that their performances could have been "pieced together" a little better for the viewer. A strong 4 stars. (28/08/2021)

One of those films that's so elaborate it's simply a joy to watch, although there is “just" talking for two hours. The script is almost at the level of 12 Angry Men, and through a story from the 1960s it tells clearly enough about the present, the monologues and dialogues are refined, the tension rises only when someone is silent, or when someone interrupts someone's speech. Aaron Sorkin was able to write and shoot a great film, with a cast that has most importantly the perfect Sacha Baron Cohen and Mark Rylance, but the other actors are certainly good as well. It's also a big treat thanks to Daniel Pemberton's music. (18/10/2020)