The Trial of the Chicago 7

This delicately written, acted and edited conversational movie about positive values and a bad system of power is surprising due to its rather banal and, for Sorkin, unexpectedly theatrical climax. For me, the highlight of the film remains the first long, one-shot scene in the courtroom, followed by static shots of those present standing at attention after the judge steps into the courtroom. (27/10/2020)

There are three to four major fundamental scenes where Sorkin's typical continuous flow of words goes silent and the power of the message is fully taken over by the image. And I can't shake the feeling that if Spielberg had shot it (as he originally intended to do more than a decade ago), then it's exactly these scenes that would have made memorable moments. As it stands, however, they are too wishy-washy and without the intended emotional impact. Otherwise, there are no drawbacks; it is another trademark-quality Sorkin movie with all of the good and bad that goes with it. Perhaps it's just an unusually small amount of movement for Sorkin (apart from the opening), which is largely due to the setting. Stunning acting, the depiction of the characters tends somewhat toward caricature, a furious pace, polished dialogue, a refined reality with obvious yet unexpressed overlaps.... Simply put, another Sorkin movie. (17/10/2020)

The acting is so good, I'd gladly watch it all over again this minute. And amazingly its Cohen who carried it for me, despite the fact that I’m not exactly a fan. Whether he was joking or being serious, I totally believed that this is exactly the kind of person that existed back then. Having seen the whole thing, I rate the script as successful, but I guess I won't be the only one who wasn't hooked at first. Once the courtroom opened, the powerful, at times sad, at times funny trial began, with the aforementioned cast delivering a beautiful, at times heartbreaking, performance. Still, I feel that their performances could have been "pieced together" a little better for the viewer. A strong 4 stars. (28/08/2021)

What really impressed me was how this issue was treated in the film. Yet again, I witnessed how American "democracy" works in practice. I did not doubt for a moment that a poetic (or rather creative) license was used many times but given Mr. Hoover's long-term work and the nice tradition of McCarthyism, I don’t care. Mark Rylance was brilliant again. (30/11/2020)

"The whole world is watching." The Trial of the Chicago 7 benefits in particular from an excellent cast and a real-life story. Although the film is mostly set in a courtroom and consists mainly of courtroom dialogue, accusations, objections, testimony, etc., it does not come across as unnecessarily verbose and boring; on the contrary, it thrills through verbal shootouts and confrontations between the various characters, which it manages to do until the very end. Of the actors, Sacha Baron Cohen, Frank Langella, Mark Rylance and, in a smaller role, Michael Keaton were the best, but , the other actors also played their parts in a convincing manner. The film skillfully blends period footage with Aaron Sorkin's reconstruction of the actual case, and engagingly highlights the age-old struggle between ordinary honest people and a politically amoral system. (17/04/2021)