Creators:
Vince GilliganComposer:
Dave PorterCast:
Bryan Cranston, Aaron Paul, Anna Gunn, Dean Norris, Betsy Brandt, RJ Mitte, Bob Odenkirk, Jonathan Banks, Giancarlo Esposito, Jesse Plemons (more)VOD (3)
Seasons(5) / Episodes(62)
Plots(1)
Breaking Bad follows protagonist Walter White (Bryan Cranston), a chemistry teacher who lives in New Mexico with his wife (Anna Gunn) and teenage son (RJ Mitte) who has cerebral palsy. White is diagnosed with Stage III cancer and given a slim chance to survive. With a new sense of fearlessness based on his medical prognosis, and a desire to secure his family's financial security, White chooses to enter a dangerous world of drugs and crime and ascends to power in this world. The series explores how this fatal diagnosis transforms Walt from mild family man to a kingpin of the drug trade. (Sony Pictures Home Entertainment)
(more)Videos (12)
Reviews (9)
Experienced viewers and television fans have long known that the most interesting offerings in recent years are usually not movies, but American TV series that defy typical commercial templates and set the bar of television productions very high. Even with the most famous and discussed shows, however, I felt a sense of manipulation and the presence of various tricks or cheap motifs. To increase viewership, they rely on various "cool" characters and unrealistic plots or moments. Breaking Bad is a series that works without these tricks, firmly staying grounded while remaining visually attractive. The story of an aging middle-class man worn down by family stereotypes with lots of debts and problems, who suddenly realizes that instead of a pension plan, he should have taken out a proper life insurance policy, and whose lifespan is suddenly not calculated in decades or years, fascinated me from the very first moment with its exceptional craftsmanship, from the outstanding performances, direction, and editing to the story itself and its ability to show real life and real problems of present-day America alongside the main storyline. Have you ever wondered how little it took for the fates of famous historical figures to take a completely different direction? Walter White was once an exceptional student and promising scientist with a great career ahead of him. In the end, he became a deeply indebted chemistry teacher at a meaningless high school and, at the same time, a man under the thumb of his dominant wife. Sudden illness and a medical examination bring him closer to the end of his life journey. Suddenly, he has nothing to lose, and the prospect of imminent death mobilizes his will, energy, and willingness to take risks. He witnesses a police raid on a drug lab and realizes that his creativity, intelligence, and determination could succeed and provide for his family in a world of uneducated criminals. He gradually loses his inhibitions and discovers previously unknown talents as a manipulator and a liar, climbing step by step in the hierarchy of the criminal underworld. He learns to navigate a world that was previously foreign to him, removing obstacles and being on the best path to becoming a legend in the eyes of both the underworld and the police. The old Walter remains only a shell, giving birth to Heisenberg, a cook of the highest-quality methamphetamine that drug addicts have ever had the chance to taste, and at the same time, a man who experiences the taste of power and what ambitions really mean. At the last moment, he tries to fulfill his dream of greatness without looking back at his surroundings. Breaking Bad is a great story of a person's moral downfall, an impressive and brilliantly written drama in which I fail to find any significant flaws in more than 60 episodes. It is an incredibly well-crafted ride where the quality of the script not only does not decline but tends to increase and culminates in a finale that is truly unforgettable. The scene where he tells his terrified wife with burning eyes, "I am not in danger, I am the danger," quickly became iconic within the realm of television production. Breaking Bad combines high artistic demands that satisfy the critical community with excellent entertainment for viewers. The series can be thrilling, darkly humorous, and always surprising. Furthermore, its strength lies in the fact that, unlike other works, it does not use relativizing morality, and it never trivializes the actions of its antiheroes or seeks excuses for them. It calls things by their proper names. Overall impression: 100%.
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Season one:An excellent story and absolutely great transformation of the main protagonist. That great swine, life is the main villain here throwing not just sticks, but reinforced concrete joists in our way to trip us up. Superb. Season two: To cut a long story short, this is the real take off. The creators set to work and drive Walt towards his unexpected future. + Perfect cameo by Danny Trejo.Season three: The slightly weaker take off makes fertile land for the final harvest. You can’t just end a season like that, can you? It’s cruelty. Season four: An unbelievably full-on season that sets the bar so high that I don’t know if anybody will be able to jump over it in the future. And adrenaline finale, the final revelation and masterful acting performances make this season a milestone in this series. "I won." Season five: Some darn good meth is going around Prague these days... Walt’s rise to the top and definitive transformation into a drug kingpin shows us that the end is nigh. And it’s going to end spectacularly... A year later. The second half of the season really floors the gas pedal and the last five or so episodes sets a new, higher standard for TV production. Faultlessly written, ingenious tension build-up with a very satisfying ending. Anna Gunn delivered one of the best female acting performances (well-deserved Emmy). And the whole thing stands on Bryan Cranston’s shoulders. The final episode is hosted exclusively by him and the farewell is classy. I enjoyed the final moments of the series with a satisfied smile on my lips and a chill down my spine all at once.
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Seeing Breaking Bad makes me want to extract the ricin from the beans, but that's essentially my only complaint. This is the first series since The Wire that honestly fascinates me with its attention to plot sophistication, fictional characters, and, most importantly, absolute unpredictability. I gave up guessing the storyline halfway through the second season because there's no point. The way in which Walter White, who learns the value and brevity of human life from one day to the next, functions on both sides of the law while (un)consciously pulling in people around him is perhaps even better than in Dexter. This is mainly because the moments when we realize that he is really becoming evil are conveyed by the filmmakers through complete banality. Like ordinary marital conversations: "I'm not in danger." I am the danger!"
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Breaking Bad is a series that is beyond reproach. A perfect story with brilliant acting, completely unpredictable and, most importantly, perfectionist in every detail. Emotions were stirring in me after almost every episode. I didn't even know who to (shall we say) root for, because there are no good guys in the story, or there are, but the rate at which Walter White drags them down to darkness is unbelievable. There’s a very thin line between good and evil here, and it just blows your mind to see Walter White turn from an ordinary, humble guy into a complete monster, realizing that life can be too damn short, so he’d better enjoy his last months without taking any shit from anybody, and finally be the one in charge. The final episodes of each season are absolutely perfect, but I could watch the episode about the train heist every day. I don't know what else to add. No other show on TV comes even close to Breaking Bad in terms of story sophistication. S01: 9/10. S02: 9/10. S03: 10/10. S04: 10/10. S05: 10/10.
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Since the days of Rest in Peace, I haven't seen a new series that could entice me this much. In particular, the transformation of the main character (I'm not going to say protagonist) is something surreal, and the way in which the screenwriters cruelly mess with viewer’s sympathies and how they don't really give a damn, is admirable. Of all the episodes, not a single one seemed useless to me, there were no blank spots in any of them, although there was talk all the time, I enjoyed the precisely written dialogues as much as when the characters were just looking at each other and the tension thickened. It was an excellent fifty hours.
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