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Big screen action adventure spin-off from the popular 1980s TV series. Four Iraq war veterans, led by Col. John 'Hannibal' Smith (Liam Neeson), on the run from the US military who suspect them of committing a crime, set about trying to clear their names. Becoming mercenaries and employing a wide range of uniquely offensive skills mixed in with a healthy dose of eccentric behaviour, Smith and his cohorts, 'Faceman' Peck (Bradley Cooper), 'Howling Mad' Murdock (Sharlto Copley) and 'B.A.' Baracus (Quinton Jackson), set out to right the wrong done to them by any means necessary - and some that aren't - all the while pursued by military tracker Charisa Sosa (Jessica Biel). (20th Century Fox Home Entertainment)

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Reviews (12)

Marigold 

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English I sniff nostalgically. I grew up on it and Carnahan et comp. were able to modernize it very solidly without creating digital none-sense for young people. On the contrary, it may in fact be too nostalgic and laughs at the current mass conceptualization of blockbusters. I had a great time, if it wasn't for a few "over the line" attempts at making it more serious, it would be an almost perfect relaxing snort of amusement. Hats off to the wonderful chemistry in the central quartet and also to Carnahan, who managed to direct the action scenes with the sophistication of a gambler. Definitely the best blockbuster of the cucumber season; I'm just sorry that it won't continue... ()

Isherwood 

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English The ultimate rattle that catches the momentum and doesn't let go until the end. Carnahan, under the production whip of the Scott brothers, throws in one "over the top" scene after another, but in the action inferno, he still manages to shoot deadly catchphrases at you with incredible cadence. The central quartet plays the most searing instrumental in years, and the result is a pure 1980s flick that the twenty-first-century coat fits like a glove. Sure, it's blatant none-sense, but I was still vibrating from it the next day. I'll forgive the digital silliness at the end and I’m giving it full stars. I don't think the film will get less stars from me upon a second viewing. Edit: Indeed, it did not. Even for the second (third, fourth,...) time, this is one of the most entertaining action movies in recent years. ()

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lamps 

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English The phrase "much ado about nothing" can hardly be more fitting than here. I would still be willing to forgive The A-Team for not coming up with a proper and original story, but I won't forgive the fact that all the expected and praised action seemed dull and overstuffed clutter with zero build-up and a desperate lack of catchphrases and insight. The 3 stars are more or less because I really like Neeson and Cooper and because, despite the bland result, the A-Team at least made a good effort to pay homage to and build on the classic action films that were taken for granted in Hollywood twenty years ago...))) I recently read that if Chuck Norris eats a whole box of sleeping pills, it will show up in one blink..., I watched the supposedly most stylish and over-the-top action movie of recent years, and by the end I was sleeping like a baby... 55% ()

DaViD´82 

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English An awful B-movie. Awful garbage. And awfully entertaining. Not on the action side, though; there’s very little of that and what there is terribly confused due to deranged editing, but after the ungainly introduction as soon as it establishes itself as a buddy comedy full of over the top scenes in “best 3D effect ever" style, then... Then you can either angrily get up from your seat and go home muttering about dumb Hollywood, or you can remain seated and abandon yourself to harmless, mindless fun. And at least it’s meant to be fun; I must admit that I expected something more like “it’s so bad, it’s genius". ()

Othello 

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English (extended) I was terribly surprised at how The A-Team worked. The characters entertain you, the jokes are funny, the action is action-packed and appropriately spectacular. Too bad Carnahan has a bit of a problem with the action scenes. The spectacular special effects ones are fine because they work according to pre-set templates anyway, but the contact action and some of the shootouts are an unbelievable mess. The final scene in the dumpster is especially awful, with the fight scene shot under the kind of light that Marlon Brando's monologues are shot under at the end of Apocalypse Now. But the bad guys are great. So there are four of them in total, and it gets a bit messy at times, as they aren’t classically intertwined, but you can see how the director misses Ray Liotta (with whom he's done every film so far) in the movie. Not only are the three of them typologically the same, have the same means of expression and act the same way, but even the character is similar to many of his movie characters. I enjoyed their non-violent portrayal as overgrown brats addicted to video games who masturbate with a gun in the other hand, and lucky enough to have been given millions of dollars worth of military toys in their lives. The most fun is when the three of them end up in the car together, because the suppressor-screwing scene (I'm guessing it's just in the extended version) is perfect. I'll even forgive the cell shading explosions and the few tense relationship scenes. The A-Team is a blockbuster as it should be, because everything that should work in this type of movie works there. ()

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