The Hobbit: The Desolation of Smaug

  • USA The Hobbit: The Desolation of Smaug
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The second of three epic instalments in director Peter Jackson's blockbuster prequel to The Lord of the Rings trilogy. Set in Middle-Earth 60 years before events in The Lord of the Rings, the story follows the adventures of Hobbit Bilbo Baggins (Martin Freeman), who, at the instigation of the wizard Gandalf (Ian McKellen), suddenly finds himself co-opted into joining a company of 13 Dwarves led by Thorin Oakenshield (Richard Armitage) to help reclaim the lost kingdom of the Lonely Mountain from the clutches of Smaug the dragon (voice of Benedict Cumberbatch). In this film, while Gandalf heads south on his own, Bilbo, Thorin and the Dwarves enter the treacherous Mirkwood Forest on their way to the mountain. When they reach Lake-town Bilbo will have to perform the role he was assigned at the start of the quest - to find a secret door that will lead him to the lair of the dragon... (Warner Bros. Home Entertainment)

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3DD!3 

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English Tasted good. A mountain of gold and a dragon to boot, who wouldn’t like it? The second part of the story unfolds in a more lively and considerably darker tempo. Jackson enjoys his freedom and introduces a new storyline (that he could have easily left out) bringing minor items of news for those who have read the book, too. Comely Tauriel with the face of Evangeline Lilly has one of the most beautiful theme tunes that Shore has ever composed. Bilbo and his gang tumble through one disaster to the next, most impressively the confrontation with the bug, the barrel ride and the final encounter with the lord beneath the mountain. This year, Cumberbatch appears in negative roles (and this is the most powerful of them). I was delighted by Smaug’s dwelling which exceeded my expectations, like the dragon itself. The playful conversation, the action. Only interrupted by Gandalf’s preparations for the finale, but only very slightly. Really effective, accepting that it’s slightly drawn out. The ending provoked disgruntled silence, mumbling and finally “You must be joking!", but honestly they couldn’t have cut it short at a better moment. Next year all it’ll all work out I suspect that episode 3 is going to be a real massacre. ()

Lima 

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English To accuse Peter Jackson – as many here do – of getting too carried away and overwhelming us with attractions is to misunderstand his essence. The truth is that he hasn't changed at all since he was a young boy baking evil alien masks in his mother's oven for his feature debut. He’s a big child who loves movie effects and likes to impress with visual stunts that often go over the edge. I’ve thoroughly enjoyed the overstuffed King Kong, and I’ve also enjoyed the overstuffed second Hobbit. It’s so visually sumptuous and rich that no other fantasy or fairytale movie of the last ten years can match it in this respect. It starts to make sense if you take the lukewarm first film as a launching pad of sorts for the massive second part. But at the same time, I warn you, if you are you looking for insightful ideas, eye-popping scenes, in short, that "humanly warm artistic experience", go elsewhere. If, on the contrary, you want Jackson off the chains and as his most exuberant self, you are in the right place. ()

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novoten 

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English It left the world and took its flight / over the wide seas of the night. / The moon set sail upon the gale, / and stars were fanned to leaping light. Favorite scenes from the book elevated to adrenaline peaks, incredibly functional new characters, and references from other Tolkien works finally depicted in a way that we don't have to grasp for every footnote. And when I was afraid that the tempo might suffer with the arrival at Esgaroth, I didn't realize I would receive such a hearty dose of Smaug that would surpass everything and make The Hobbit: The Desolation of Smaug the film of the year again. Okay, I'm lying, I did suspect the last part. And I had missed that atmosphere of fantasy, adventure, and this time even real fear and courage much more throughout the year than I was willing to admit. ()

DaViD´82 

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English Deelicious. It’s not a question of whether the second Hobbit is better or worse than part one; it is completely different and no longer resembles either the first movie or the book it’s based on. And whether or not it is any good is a matter of opinion, the same as the fact that part two is more like Jackson’s King Kong, set in Middle Earth, but unlike that movie, here the characters aren’t forgotten due to the impressive and frequent action. On the one hand, the fact that if THIS is what an artificially drawn out (things from the appendices like Gandalf’s journey and the origin of the burning eye are excellent; the newly thought up ones like inter-species romance are terrible) and shaken up money factory that, as the middle of a trilogy, shouldn’t have a beginning or an end (which true, it doesn’t, but there could have been if they had chosen a better place to split it up), looks like, then... Go on and bring us more like it, because it is definitely great entertainment, full of action, ideas and large-format movie magic. However, despite its fatefulness and action content, it is cold as a dog’s nose (the only action not dominated by playful escapades and where it’s important and the opponents “sweat blood" is Gandalf versus Sauron). Not even a team headed by Sherlock could find any hint of emotion here. And despite all its epic spectacular-ness, as in part one the climax is a simple discourse between a hobbit and a CGI character. Unfortunately this makes it even more unpleasant that Bilbo as such is so often utterly sidelined for extended periods. Which best symbolizes the problem of the second Hobbit; while for The Lord of the Rings the foundations to which Peter is laying here, Bilbo is irrelevant, so for the “Hobbit" which this is an adaptation of (whether Jackson likes it or not), Bilbo is essential. It’s the same with the Extended Edition as with The Two Towers; while being considerably longer, it is much more compact, tighter, faster moving and paradoxically feels shorter. Most of the new or extended scenes aren’t just a mandatory offering for the most loyal fans or a cute, completely unimportant extension of something seen already, but they become absolutely component to the story, giving greater depth to it and to the characters. Beorn, Mirkwood, Lake-town and the Gandalf storyline receive the greatest benefit. And some are so fundamental (and good) that you will be asking yourself why on earth they were replaced by something else in the movie theater version. ()

Kaka 

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English You're watching the film and say to yourself that everything is absolutely fine, exactly as expected. It's grand, ambitious, and well made. However, this “demo” has a lot less emotion and lacks the fatefulness that "full version" has. The Lord of the Rings is much more mature and sophisticated in literature, and the same goes for the movies. So, technically, it's right, and yet I can't give it a full score. From the second part, you can feel the gloom and that the finale will be grand. Maybe they will succeed in that one. ()

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