Harry Potter and the Deathly Hallows: Part 2

Better than the previous film, but if the result of a long wait for something is just this pace-weary and conversationally ridiculous ending, I'm not accepting it. The last Harry Potter is dark mainly because in 3D there is sometimes nothing to see. I am not a reader of the saga, so cheap nostalgia does not apply to me, and I calmly enjoy non-originality, non-ingenuity and a nice-looking, but routine design. The Harry Potter saga remains for me, even after the "grand finale", an overpriced audiovisual illustration of a book series that, after Cuarón's departure, has lost any lasting overlap in my heart space. (11/07/2011)

It started beautifully and magically, it ended dramatically and spectacularly... I am satisfied beyond measure with the ending. Compared to the first part, I have nothing to ponder here and I'm giving it full stars right out of the box. I really had the feeling that something important was ending and I must admit that I even shed a tear. In my mind the creators left no stone unturned... the perfect reveal of the truth about Snape, the final fight between Harry and Voldemort, and the final memory of how it all started... once again, 100%. (10/08/2011)

After watching The Lord of the Rings trilogy, I could without hesitation read the book version. After watching the Harry Potter film series, I wouldn't even think about trying to read the book. It's not really important whether the eighth and final film of the series is better than the previous or sixth one; in my case, I have long been tired of this film series and I only endured it for the sake of my children. The final installment is actually the only one I saw in the movie theater, all the others on a television screen. The previous films usually received three stars from me for their production and special effects, but in the final installment, the whole series concentrates on the misery that suffers from being drawn out, genre stereotypes, immaturity, and routine. Many problems come from Rowling's work itself, such as the poor handling of characters and emotions, which should bring conflict and the end of some (anti)heroes. As a viewer, I want to be there when the villain gets what he deserves and I want to enjoy his end, but here the characters disappear somehow casually and many crucial things for the story are just thrown in. If there are any catchphrases, they don't work, the dialogues are pathetic and sometimes turn into stiff phrases, the whole thing is emphasized by the sometimes arrogantly pathetic music, and this film couldn't captivate me in any way. I had to take a break during it to go to the toilet and I didn't care at all what was happening in the movie theater. Even the action, which is not lacking in the final installment, is filmed impersonally. If I compare it, for example, with the Battle of Helm's Deep in The Two Towers, where there was a bloody merciless fight that resembled the great battles of ancient and medieval times, and, in essence, it was nothing less than whether genocide would take place or not. Here, everything is artificial and very digital in every respect. Either you see a crowd of anonymous characters, or a black blur of struggling wizards flashes by. Those who are not familiar with the books will sometimes have quite a problem understanding the logic of what they see (in fact, the book has a number of logical inconsistencies). The film's current 167th place in the rankings of the best films and a very decent rating are simply the result of Pottermania and what this series means in contemporary pop culture, rather than the result of film artistry. Two stars may be harsh, because a huge budget, of course, provides a tempting spectacle in the form of grand production and a barrage of special effects, but if I compare it, for example, to Stardust, that film emotionally propelled me to the stars, while this one kept me sunken in my seat and I barely managed to stay awake. If this is supposed to be one of the most significant blockbusters of this summer, then this year has certainly not been very good. Overall impression: 45%. (16/07/2011)

Oh My Granger! What turns the book Relics into a magical finale amplifies the film adaptation to its highest bearable level, turns Neville into a well-deserved stud, gives the best scene of the saga to the Prince's story, and makes David Yates one of the best directors I know. At the moment when this wizarding world closes to all viewers, there remains a hardly controllable desire to see and read it all again. Simply put, it is a heavily euphoric experience after the end of the film, a clear one hundred percent spectacle and probably the best movie installment of the entire Hogwarts series. Some experiences are immortal even at the time they take place. Thank you for letting me be a part of it. (21/07/2011)

I was able to watch both of the final two Harry Potter films in close succession, and that made it clear to me - the finale of this series couldn't have been better. From the beginning to the end something happens, the viewer feels that something is going on, no scene is extra, no character is superfluous. I knew that I would be moved by certain moments, because I was already moved by them when I read the books. But I didn't really expect that it's going to be moving to the point (you know whose death I mean) that it's going to have the power of the best moments from The Lord of the Rings: The Return of the King. My hat goes off to David Yates, in whom the series has found an excellent director, and I was happy to see every actor who even was glimpsed in any of the eight magical films. (11/09/2015)