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Tim Burton directs this fantasy drama-horror based on the cult 1960s television series. When playboy Barnabas Collins (Johnny Depp) breaks the heart of the beautiful Angelique Brouchard (Eva Green), an old family curse is released as Angelique, a witch, turns Barnabas into a vampire before burying him alive. Two centuries later, Barnabas is inadvertently freed and emerges into the very changed world of 1972. Returning to his former home at Collinwood Manor, he finds his estate in ruins and the dysfunctional dregs of his family in tatters. Matriarch Elizabeth Collins Stoddard (Michelle Pfeiffer) has enlisted the services of live-in psychiatrist Dr Julia Hoffman (Helena Bonham Carter) to help with her numerous family problems - but between Elizabeth's loser brother, Roger Collins (Jonny Lee Miller), her rebellious teenage daughter, Carolyn Stoddard (Chloe Grace Moretz), and Roger's precocious ten-year-old son, David Collins (Gulliver McGrath), Dr Hoffman has certainly got her work cut out. (Warner Bros. Home Entertainment)

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Marigold 

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English Burton fizzled out and there was nothing left but a bunch of make up, pretty sets and once emotive themes. More than anything else, the character of Barnabas is an unintentional authorial self-reflection by a filmmaker who, since Sweeney Todd, has been copying himself and chasing the ghosts of the past. ()

novoten 

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English It's such a shame that just when most viewers ran out of patience with Tim Burton, Dark Shadows came along. I actually like the master of strangeness, and the story of Barnabas Collins seems better to me than the quickly fading Alice or even more Burton-esque Sweeney Todd. There are a lot of oddities happening at Collinwood that amaze me with the director's imagination, or I can hardly resist laughing. Johnny Depp works perfectly as an atypical protagonist without batting an eye, and the rest of the film is stolen by the pubescent princess Chloe Moretz even in a smaller space. Riding the waves of Elfman's soundtrack, I made it to 90% with a slight reservation for distance and further projection, which a few years later confirmed that the rarely appreciated spectacle got stuck on the turbulent cliffs at that time. ()

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Lima 

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English Tim Burton's dumbest and most boring film, and I say that as a great admirer of his. So, let's summarize. Typical Burton goofy humour? There’s none of it. Burton's famous bizarre visual styling? Non-existent. The always so distinctive music of Elfman? I didn’t catch it. Immersive plot? Plot? What plot? So what the hell, at least some minor tidbits, like Barnabas's confrontation with modern times? Criminally underused. I'll let Barnabas's fangs bite me if I'm making this up, but these were my two longest hours at the movies in years. ()

POMO 

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English Irresistible costumes, makeup and vivid colors create a cute floral seventies atmosphere (with great opening credits). There are a few cute references and allusions, but you would expect more from Johnny Depp’s ancient vampire’s interactions with the modern world. Dark Shadows is an eccentric film that attempts to pay homage to all kinds of things Burton likes, but it’s surprisingly not very funny and the characters are just iconic figures in a story that won’t absorb you. It’s a stylish farce that looks good but has no heart or emotion. Tim Burton seems to be drying up, which is a shame. It reminded me of Death Becomes Her. ()

J*A*S*M 

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English Congratulations to Tim Burton for once again managing to make a bad film. And this time he tried really hard. Not a bit of darkness. Under the surface, another annoying wannabe stylish crap with a heavily made-up Johnny in the main role and an elite cast that has nothing to do under Burton’s direction. Awful, the only good thing is the soundtrack. ()

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