Blood Camp Thatcher

  • Australia Turkey Shoot (more)
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In a totalitarian society a few years from now, innocent "deviants" like Paul (Steve Railsbeck) and Chris (Olivia Hussey) are forced into government camps where their "rehabilitation" includes beatings, rape and torture. But the most shocking brutality is still to come when Chris and Paul are chosen for the "Turkey Shoot," a horrific hunt by the sadistic warden and his wealthy friends using prisoners as human prey. Michael Craig and Roger Ward co-star in this ultra-violent thriller directed by Brian Trenchard-Smith and featuring special effects by Oscar winner John Stears (Thunderball, Star Wars). Welcome to the future... and hope to hell you can escape! (official distributor synopsis)

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Reviews (2)

Goldbeater 

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English People can enjoy an incredible journey through this gory Ozploitation. Of all the movies about "hunting people down" this is definitely an honorable and imaginative representation, which must please fans of Australian B-movies. Brian Trenchard-Smith got off the rails here. Steve Railsback, who has the look of a psychopathic junkie, and the silly goose Olivia Hussey, as the two main protagonists, do not really carry this movie as the real acting is done by the villains in supporting roles, who obviously had a whale of a time - Roger Ward especially is quite believable as the sadistic warden. This is a great trashy action movie. ()

POMO 

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English Turkey Shoot is an action-adventure B-movie with a high-octane plot and a surprisingly big budget. Its subject matter is reminiscent of Battle Royale / Hard Target, but not as a rip-off, but as those films’ bold predecessor. Its violent and coarse, and shockingly politically incorrect by today’s standards. Mainly, however, it is well cast. The prison guards and the warden, the hunter “visitors” and each of the prisoners on which the film focuses fit superbly into the jigsaw puzzle of malevolent and supportive relationships that gradually increase in tension and finally explode – figuratively and literally. The film is actually well written, with unexpected scenes and a little surprise. Only the directing, though dynamic, smacks of 1980s B-movie quality, particularly in the unrealistic and “blind” shootouts, when the characters shoot like idiots into the ground instead of at the target. ()

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