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Blake Edwards' screen adaptation of Truman Capote's novella stars Audrey Hepburn as Holly Golightly, an eccentric high-class escort working in New York. Rubbing shoulders with Hollywood agents and wealthy politicians at glamorous parties, Holly plans to marry into money and save up to help support her brother who is due to return from the army. However, when young writer Paul Varjack (George Peppard) - the kept man of a wealthy older woman - moves into Holly's apartment block, the pair soon find their worlds turned upside down. The cast also includes Patricia Neal, Buddy Ebsen and Martin Balsam. (Paramount Home Entertainment)

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Reviews (8)

Malarkey 

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English After watching this movie I realized how hard modern romantic movies have it. Then, all it took was one smile of Audrey Hepburn and you were on your way to the movie of the year. Nowadays, the more original the movie with a punchline larger than Beverly Hills, the fewer reasons we have to immediately forget it. But here, I enjoyed more Audreyʼs cat than Audrey herself and since she acted like a douche towards it near the end of the movie, I give Breakfast at Tiffanyʼs three stars. ()

Detektiv-2 

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English It’s really lucky that this movie was filmed back in 1961, therefore giving it the chance to become almost a cult Hollywood movie. In my opinion, it’s about nothing in particular and it’s interminably long. An hour would have been more than enough for the entire movie. In some places, Audrey Hepburn is so one-dimensional that she is thoroughly unconvincing. The movie plays at something it isn’t. It has just one bit of magic about it: the time and place it was filmed. ()

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lamps 

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English The film is held together by the awesome charisma of Audrey Hepburn, who once again delivers a divine performance, and excels in every emotional position the script demands. Overall, I don't think it’s memorable for its romantic plot or classical execution, but thanks to its pleasant humour, a number of endearing characters (the angry roommate clearly leads the way) and admirable human insight, it's still lovely to watch after all these years. Roman Holiday, however, remains unbeaten :-) 80% ()

Pethushka 

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English Everyone should see this gem! Audrey Hepburn has always struck me as a lady with everything that goes with it. She's the reason this film has no shortage of wit, originality, and romance. If there's one thing that's got pizzazz, it's this. The final scene in the rain, when Audrey is running and shouting "Cat, cat, caaaat..." is legendary. I love the music, the interiors, the elegant fashion, the haircuts, the gloves... I love Tiffany! And George Peppard is a real man. Breakfast at Tiffany's is one of my all-time favorites. ()

gudaulin 

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English The great star of world cinema, Audrey Hepburn, was always greatly helped in her career by her fragile appearance, delicate face, and amazing eyes, which she skillfully used to hide the fact that she wasn't such a great actress. Besides the aforementioned advantages, her success also relied on the fact that she was able to choose roles wisely so as not to overexert herself. However, in her filmography, there are much more demanding films than Breakfast at Tiffany's, such as My Fair Lady, or films where she had to demonstrate much more acting talent, such as Wait Until Dark. In the case of her probably most famous film, Breakfast at Tiffany's, I always felt that the film served the viewer not so much with a story, but with Audrey and her charms. It's simply a one-girl show; otherwise, Breakfast at Tiffany's can be considered a mostly average romantic conversation film, which didn't make me laugh once and only slightly touched me in two or three places with its sentimentality. I wanted to give it three stars, but when I revisited the film for the third time, I fell asleep during it, and that shouldn't happen with a three-star film. Overall impression: 45%. ()

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