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From producer Peter Jackson and director Neill Blomkamp comes a startlingly original sciencefiction thriller that "soars on the imagination of its creators". With stunning special effects and gritty realism, the film plunges us into a world where the aliens have landed... only to be exiled to a slum on the fringes of Johannesburg. Now, one lone human discovers the mysterious secret of the extraterrestrial weapon technology. Hunted and hounded through the bizarre back alleys of an alien shantytown, he will discover what it means to be the ultimate outsider on your own planet. (Sony Pictures Home Entertainment)

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lamps 

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English Yeah, it is original, but I couldn't get rid of the feeling that the director, in an attempt to kick the audience's ass as much as possible, sometimes overplays his hand, which was especially evident in the insanely action-packed and over-the-top ending. On the other hand, the main idea is really good, the narration in a light documentary style is quite brisk and the depiction of the aliens as despised scum of society feeding on garbage is a really unprecedented touch of diversity, on which everyone has to make their own opinion. I definitely highly recommend watching the film, it’s a shining example of the fact that even with a little you can make quality and suspenseful science fiction that doesn't play games and serves what the viewers expect. That said, I would never call it a cult-classic. 75% ()

D.Moore 

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English In a word: Amazing. In more words: The way that District 9 rubs shoulders with all the recent sci-fi "sensations" like Transformers, Terminator Salvation and, ultimately, Avatar is astounding. I haven't seen such an original film, full of fresh ideas, engagingly shot and, as far as the main character is concerned, superbly acted in a long, long time. It takes more than ordinary talent to make a sci-fi action spectacle that also contains a deep, topical and a very pressing idea. And Neill Blomkamp seems to have plenty of it (Jackson knows who to put his money into). To all this I add the exotic South African setting, the music, the flawlessly made aliens and the documentary style that really draws you into the story... This amounts to five honest, 100% stars. ()

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J*A*S*M 

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English I resisted the seductive call of the DVDrip so I could watch this film for the first time in the cinema, and now I can say that I would have been furious with myself if I had missed it. Neil Blomkamp delivers a great science fiction film, the best in recent years (and what’s nice is that this isn’t the first time this year that I say this, and maybe not even the last, re: Moon and Avatar). I respect the radical style change between the first and second halves, but I loved the first half better because it’s something incredible and never seen before in the genre and in this form. Rather than to Cloverfield, District 9 is more similar to the unknown Japanese horror film Noroi the Curse, which keeps the documentary format uninterrupted for its entire runtime. The events of the second half could not be captured as a “documentary”, that was very clear to me. Even though it reaches its “WOW” peak somewhere at the beginning, the rest of film is so striking and breathtaking that it was a joy to watch. The occasional lapses in the script are easy to ignore – they aren’t as big as I’ve read in some reviews. I recommend it. Edit: The second viewing brings the rating down to four. ()

Zíza 

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English I’ll say up front that it's a better 4 stars, because I'm still a bit bleary eyed. It was there, what people are like. There was action. There were powerful weapons. There were interesting aliens. It was cool X-D I'm so freaked out about it. It's definitely worth a movie ticket. It really was beautifully believable, the documentary style didn't hurt it, at all. Watch it again? Why not. Well, the best part was the use of the "dusting" gun anyway. I guess I'm a weirdo for liking it... In short: I have such a hard-to-describe feeling about this movie, but my cheeks are burning, which means it was good and that I paid maximum attention. ()

Isherwood 

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English There was a loophole in Hollywood, and a guy who is no stranger to the word "compromise" slipped into the A-list mainstream. I’m glad Peter Jackson gave Neill Blomkamp the chance to make an incredibly engrossing and captivating sci-fi for a ridiculous thirty million. The film squeezes out the subject matter to the last drop, and then there are the special effects sequences. The feeling of "this is how it might actually happen..." beats the viewer over the head in every scene, and yet it doesn't falter in its pace. Objectively, I could ask several "why and how?" questions, but subjectively, I was ecstatic the whole time. If Blomkamp really does make a "Halo" movie, I want to see "Hal-Life" from him too, the guy’s got what it takes! I hope he succeeds. ()

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