Love and Other Drugs

I didn’t get the dramatic line, but I felt a strong rush of cringe from the humour, which focuses almost exclusively on the (un)successful little brother. In any case, I’m far from the target viewer so Anne and Jake can celebrate the three stars I’m giving it. I’m sure they are happy. (07/06/2011)

An inconspicuous pearl that only gains its true shine over time. Seemingly routine plot lines, slightly schematic characters from thematically similar romantic comedies, and expected development turn into a perfectly complex spectacle with a conceptual and even more so emotional depth in the second half. Edward Zwick directed romance with a capital 'R' and Anne Hathaway confirms that in the role of a girl-next-door, she has only minimal competition in contemporary Hollywood. (23/03/2011)

Man, this one cracked me up :-)) The beginning was basically nothing, but once Anne Hathaway appeared on the scene, who, by the way, looked more beautiful than ever, the movie took off... in every way. I liked the dry humor underlined by really good music. Maybe next time I could do without the "lame" (and I say that very nicely) brother. The romance worked here, no question about it. The story was wonderful and perhaps a little original. A happy ending with all the trimmings and then some. I'm surprised, excited, and a little tearful. And I like it, a lot. (29/03/2011)

I really should stop watching movies like this. It makes me hate the life around me, written by the world's most wretched ever screenwriter. Otherwise, Jake is a cool dude playing a typical pretty boy, and he's surprisingly bearable. As for Anne, I can see why we're going to see her in the third Batman. Already here she’s simply divine. Too bad about the crude jokes between the brothers which really don't work, otherwise Zwick serves up a drama "from life" which rides a wave of clichés, but every once in a while... why not? No I'm... I'm knowingly full of shit. (27/06/2011)

The golden age of up-and-coming R-rated relationship dramas that artfully oscillate between light comedy and a classy dramatic plot. They're spicier, get deeper under the skin and can be very direct, even improvisational. The cards are dealt quite clearly and the outcome is basically decided, but the most interesting thing is the journey from A to Z. The chemistry between Anne Hathaway and Jake Gyllenhaal is remarkable. Edward Zwick surprised with his choice of genre and even more so with the agility and awareness of his execution. (12/03/2017)

The movie would have been much improved if Josh, played by Josh Gad, was removed from the plot. His cringiness felt like something straight out of American Pie. The movie was stuck somewhere between comedy and drama without fully committing to either, lacking the wit needed for comedy and the depth required for drama. Not even Anne Hathaway's dedication to her role could save it. Oddly enough, I could relate to the main protagonist's emotions, however strange it feels to admit that. Having someone commit to you when you are in a state that's incompatible with life is not a good idea. For either of you. However, my ability to empathize with this aspect couldn't outweigh the overall pointlessness of the movie. / Lesson learned: Even a serious illness can find practical use in life. (12/07/2022)

I know that as a romantic movie, it doesn't have much to offer in terms of a new plot, but when I first saw the cast, I just knew that these two had to work together. Jake Gyllenhaal and beautiful Anne Hathaway complement each other perfectly and they proved it in the film. If it was just about these two getting together, then fighting and reconciling, I would still enjoy it with popcorn. The story is nothing groundbreaking, but the authors tried to add a little something new - they turned Anne into a seriously ill character who just wants to enjoy life without any responsibilities. Of course, it is clear from the beginning what will eventually happen. Jake and Anne work well together, Anne is wonderfully independent, she wants to live under any circumstances, and Jake is the one you will root for. It's not a film with great ambitions, but it's a movie that can make your evening more enjoyable. If you watch it with someone you care about and who cares about you - and I don't mean your mother, although I don't exclude that - then you will enjoy the film even more. More: http://www.filmovy-denik.cz/2012/07/kacatko-woodcock-nakaza-laska-dalsi.html (22/02/2013)

The spasmodic transitions from pure comedy to depressing drama ultimately leave the film with an awkward and disjointed impression. I was sorry about that, because Jake Gyllenhaal and Anne Hathaway are a likable couple and perform decently within their capabilities. It struck me as more of a "comedy with occasional dramatic elements", which I didn't care for conceptually. Had it been presented as a "drama with occasional comedic elements", the final impression might have been a little better. Some of the jokes were funny, others were borderline lame. (12/01/2019)

I don't think I've ever seen an American mainstream film that so blatantly pokes fun at the pharmaceutical industry. I'm surprised Pfizer didn't demand some hefty compensation for this in many ways unflattering commercial. Maybe the Viagra references calmed the corporation. Anyway, I have to admit that the creators chose a great central couple. Jake Gyllenhaal and Anne Hathaway had an unbelievable sparkle and both were absolutely amazing in their roles. However, I enjoyed Jake's acting more, as he convinced me that he has a natural comedic talent that I had no idea about until now. I'd probably leave out a few nude scenes and tone down the vulgarity a bit, but otherwise I had a pretty good time. And at the very end, the overabundance of painful romance even made my vision unexpectedly blurry. (75%) (19/01/2023)