The Game

I certainly have a long-built fondness for the great Michael Douglas films of the 80s and 90s, and Fincher's The Game is one of the highlights of that great era. Who can resist suspense thrillers in which Michael practically never leaves the screen? He's partnered with Sean Penn and Deborah Kara Unger, the subject matter is period-appropriate in many ways and it's all very enjoyable. Such an indulgence is irresistible. (10/09/2022)

The script for The Game was originally written back in 1991 with the simple aim of just giving it away to a studio for money, which eventually worked out and made it all the way to Fincher, who with Se7en screenwriter Andrew Walker spent 6 months rewriting so they could sew it together into at least this. It probably couldn't have been done any better without creating something completely different. I can understand the audacious ambition to present the viewer with a lie (which is an inalienable part of film in general) as an actual untruth, and it fits exactly with my idea of a young, brash Fincher wanting to challenge and unnerve the viewer; however he tries relatively successfully to hold it all together, by the end it slips away completely and the whole film implodes into annoying nonsense about a now-wiser curmudgeon who got to the whole finale mainly through an excruciating cavalcade of coincidences that must have made the entire glorious CRS company's forehead drip with sweat. However, the cinematography, lighting, and excellent portrayal of the characters through objects and space still make this a first-rate spectacle, even if the film's punchline, for example, completely degrades any future viewings. (01/03/2020)

For me, the weakest Fincher's film, not so much because of the direction, where the director sets the bar, but because of the overly contrived script, where it's better not to think about certain parts at all, otherwise the viewer will realize that it simply cannot work. In terms of acting, however, it is an interestingly cast film and especially well-performed - Michael Douglas and Sean Penn belong to the top of the acting profession, and I have a weakness for Deborah Kara Undger. She can give an erotic charge to her female characters. But I really disliked that script with lots of seemingly effective plot twists. Overall impression: 45%. (18/06/2006)

The excellently written character of Michael Douglas and an interesting topic are undeniable advantages, but the uneven pace and slightly disjointed sequence of scenes are clear shortcomings of this peculiar film. The fact is, though, that David Fincher avoids any thematic clichés and each of his films is original and different. Douglas is outstanding again, and this time he is aptly supported by Sean Penn. The plot is nicely unconventional and full of captivating scenes. The question is, how much are you willing to embrace Fincher's game. (11/05/2004)

Typical Fincher. The script is meticulously detailed, exuding escalating tension and, in this case, increasing anxiety about the fate of a protagonist playing against all odds. A grim production design, a superb Douglas and a host of brilliant directorial flourishes; The Game boasts it all, and it all works in such a perfect symbiosis that it's a joy to watch. The only big question mark for me is the ending; it’s certainly well shot, fits well into Fincher's patchwork and managed to shock me quite a bit, but I wasn't expecting such a simple explanation of such a big plot, so down a notch. (15/06/2012)