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The Ides of March is an electrifying tale of ambition, betrayal and revenge. As up and coming press secretary Stephen Myers (Ryan Gosling) battles tirelessly for Governor Mike Morris (George Clooney) in a frantic election race he becomes distracted by sexy young intern Molly (Evan Rachel Wood). Whilst concealing their affair he agrees to meet the opposition s campaign manager (Paul Giamatti), who offers him a job on his staff. Stephen neglects to inform his boss of the meeting and as his silence is revealed he discovers a dirty personal secret that could sink Morris political career. Stephen must then decide whether to enact revenge or use it to his advantage. (eOne Films International)

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Marigold 

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English An ultra-bitter probe into the inside of the machine in which reality is prepared. The fantastic Gosling, who, even without a single grimace, can contain the fascinating tension between idealism and pragmatism, an excellent script and a wonderfully escalated scathing ending. An overall balanced and anti-idealistic drama that is an excellent counterweight to Hollywood escapism, which dominates Oscar nominations. It is a pity that, especially in the beginning, fairly solid knowledge of the American electoral system is needed (which I do not have at all), so I was groping slightly in the first minutes. But I blame myself for that and not The Ides of March. [85%] ()

Malarkey 

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English I watched The Ides of March twice. I watched it for the second time mainly because I wanted to find out whether this movie was really boring or I just didn’t pay enough attention to it during the first watching. And I must say that even though the story is really interesting, I’m not in the mood to watch something that reminds me of the Czech government, where betrayal and revenge are part of the daily agenda of just about every political party. The actors were indisputably great. Ryan Gosling was amazing, even. That, however, doesn’t change the fact that this politics crap is not my cup of tea. ()

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Kaka 

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English Politics, psychology, intrigue, manipulation. It’s good, with excellent performances and a solid narrative value. It's just a shame that it's too short and therefore not very epic, but much more like television. In terms of atmosphere, Michael Clayton was slightly better and broader. Just when it was starting to get really suspenseful, the end came. ()

novoten 

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English George Clooney has proven many times in his directing endeavors that he is no stranger to sophistication, and a political investigation literally seemed like a treat for him. And yet I'm disappointed, and I must admit that I'm quite taken aback that there was no sophistication this time around. I expected him to dig into the highest-ranking politicians, but for the second half to labor through transparent twists towards disillusionment and broken hearts is too certain a step. Allowing the viewer to see into the fastest verbal machine guns and then easing towards morality is little more than a minor betrayal. ()

3DD!3 

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English Clooney is precise. All of the storylines are designed to the smallest detail, Gosling’s acting is excellent (he’s having a really good year right now) and even I would have chosen Clooney. The chess game is great to watch. The lesson of the story is somehow too classic and so there is nothing world-shattering about the Ides of March apart from well-made drama. ()

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