Halloween

Meta Halloween 1978 meets #MeToo2018, and it's bloody good and surprisingly old-fashioned. If it wasn't for the noticeable loss of pace during the overlong finale, and the reprehensible underutilization of the potential of the "new Laurie" with an equally sounding screamer, it's on par with the first one. (16/10/2018)

The opening scene is spectacular, though it appears too modern in the contest of the rest of the movie. Also, I would prefer for the ending to be more psychologically intimate and dark. Still, it turned out to be the best it could be. Because it absolutely pays tribute to the original and succeeded in the most important thing – using the same camera shots and music – it brought me back to the same streets, backyards, hallways and rooms, to the same place with the unique atmosphere that once defined my weakness for this amazing film subgenre. And that was a hell of a delight! (14/10/2018)

David Gordon Green, director of the great comedies Pineapple Express and Your Highness, pays homage to and follows up the classic Halloween from 1978, and I don't think John Carpenter can be offended. While I should point out that the original Halloween is not one of my favourite films and more or less only became a cult thing because it was the first at the time and therefore shocking to people, due to the lack of blood and the few murders it doesn’t stand out with me as a slasher, but I'm exceedingly pleased with the 2018 version. Michael Myers rages more than ever and his work is definitely enjoyable to watch. Quite a few victims fall, blood is not spared and there are some very nice explicit scenes, but again, it's nothing the average viewer won't digest. The nostalgia is nicely buzzed by the original soundtrack and I really liked the new one, they complement each other perfectly. The atmosphere is great, especially the finale in the building is built up so that I couldn't breathe at times and the silence in the hall with the cinema packed was unbelievable. The acting is also very decent, led by Jamie Lee Curtis, who is quite physically fit for her old age and is quite good with guns. The role of the young black man is also great, as he lightens the dark atmosphere with humour for a few minutes. The downside for me was the slower pacing (before Michael escapes from the asylum it's a bit uninspiring), and also the absence of boobs, which were abundant in the original. All in all, I'm satisfied and definitely the best Halloween (sorry Rob Zombie and Carpenter) and of course another golden hit this year next to Hereditary and A Quiet Place. 80% (19/10/2018)

Mad killer Michael Myers is free and goes after Laurie Strode, who escaped him on his first spree. She's a mental wreck, but she's been preparing for this confrontation for 40 years. Only one can survive, but anyone can die... The new Halloween follows in the footsteps of the original one, refusing to conform to new trends and contemporary styles. It's old-school, unafraid to build tension for long, knows how to get under the skin and refuses cheap violence. Instead of gratuitous brutality, it relies on uncomfortable chills, excellent actors and the most traditional "Halloween" scares in the style of the classic first film. If you want modern horror, look elsewhere. But if you're a fan of Carpenter's film, you couldn't possibly get anything better in the cinema. (17/10/2018)

A predator does not want to die until it kills its prey. But the same goes for the prey. David Gordon Green has carved out and carefully shone a dignified tribute on the unbeatable original, with an amazing soundtrack proving that, like Michael, John's tunes from the 1980s do not age. The atmosphere is dense, the homage is elegant, the camera rides are smooth. The jump scares are not completely inventive, but the atmosphere is sharp ... I see no reason not to get sliced up again. (16/10/2018)