Directed by:
David CronenbergCinematography:
Peter SuschitzkyComposer:
Howard ShoreCast:
Michael Fassbender, Keira Knightley, Viggo Mortensen, Vincent Cassel, Sarah Gadon, Katharina Palm, André Hennicke, Arndt Schwering-Sohnrey (more)VOD (4)
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David Cronenberg directs this drama based on the relationship between the two founding fathers of psychoanalysis, Sigmund Freud and Carl Jung. The film, which draws from both the stage play, 'Taking the Cure', by Christopher Hampton and the 1993 book, 'A Most Dangerous Method', by John Kerr, also portrays Jung's sexual affair with one of his female patients. Set in early 20th century Europe, the film traces the intense personal and professional relationship between Freud (Viggo Mortensen) and his protégé, Carl Jung (Michael Fassbender). When married family man Jung takes in beautiful young Russian patient Sabina Spielrin (Keira Knightley) for treatment at his clinic in Switzerland, she quickly becomes his muse and the two soon embark on a passionate sadomasochistic affair. Meanwhile, Freud and Jung's views and theories are developing in opposing directions, eventually leading to an insurmountable rift between the two. (Lionsgate UK)
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Art Nouveau pure filmmaking about dirty things inside a person. A comprehensive network of relationships man vs. woman, father vs. son, Freudianism vs. Jungianism - yet very simple and accessible... Masterful direction, the breathtaking Mortensen, precise Fassbender and surprisingly demonic Keira Knightley (probably in the role of her life). And a script with dialogues so brisk, funny and intelligent that I consider this film to be one of the top experiences of recent months.
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A superb Cronenberg exercise in conversation. The onerous theme of psychology and sexuality is supported by excellent acting performances. Keira’s transformations are brilliant and both Fassbender and Mortensen (constantly chewing that cigar) enjoy their dialog sequences. Detachment and cold comments on the issue is appropriate for scientific research and the even the very smallest expression of emotion is punished by the destruction of the afflicted characters.
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That Cronenberg is in there. It lies concealed in Keira Knightley's nipple crawling out of her corset, Vincet Cassel's face, the subversive dialogue, and especially the character of Jung (who has a lot of points of contact with James Woods' character from Videodrome), but it's littered with tons of costumes and understated studio work, and somehow lacks a significant personal investment. Otherwise, Viggo Mortensen is incredible! PS: Keira Knightley is cast brilliantly and Cronenberg takes advantage of all her physical imperfections (breasts, British-sharp physiognomy, arched forehead, prominent chin, a figure that generally begs for professional help) and makes the actress accentuate them
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David Cronenberg directed an excellent film, which is mainly adorned with strong performances. Personally, I have always been interested in Freud and to some extent identify with his theories, so I would rate the movie even higher. For some, it may be full of "psychobabble," but I really enjoyed the discussions between Jung and Freud, as well as Jung and Spielrein. Cronenberg perfected his last film to Hollywood perfection, but it fits the time period, concept, and story quite well.
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Cronenberg gives a brief insight into the core ideas of Freud and his pupil Jung in an audience-friendly and simple form, which is a rare and welcome gift compared to complexly worded lectures on psychoanalysis or literary scholarly attempts to interpret their work. Yet, thanks to the breathtaking performances of all three leading characters and the masterfully written dialogues that often provide a hidden point, I find Cronenberg's film also attractive for the audience.
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