Rise of the Planet of the Apes

Phenomenal gem, polished in every aspect. A film with visual effects that are used exactly in the right places and details (the ape faces and emotions), excellent and dynamic action, captivating drama, a surprising intimate touch. Those expecting big-budget action with millions of apes battling the human population will be disappointed. The new apes are going in a completely different direction, significantly more sophisticated and entertaining. It's still popcorn and a film made mainly for “entertainment”, but the inventiveness and enthusiasm of the people behind it for the material cannot be overlooked. Thumbs up, excellent work, and a film that truly entertains from beginning to end. (13/09/2011)

The monkeys’ gazes gradually become more expressive and sincere than the gazes of the human actors, and the initial protagonist, a scientist played by James Franco, and his companions become nothing but a bunch of extras. In other words, it’s rather more "Rise of the Planet of WETA". It has the charm of fantasy worlds, a fast pace, a deluge of visual and screenwriting ideas, perfect action, loads of emotions, a subtle ecological message, and especially the omnipresent positive feel-good vibes without the need for darkness and violence, though the film talks about serious things. It is not possible that it took just a little over 100 minutes. For me, this was a feast, a perfect viewing experience and the most enjoyable blockbuster since the mid-1990s (Jurassic Park, Twister). And here I thought that the problem was just me being unable to go back there. (29/07/2011)

Along with X-Men, this is the second blockbuster this year that pushes the envelope in spectacular ways (WETA studio has once again pushed the boundaries of the impossible) while not being afraid to be clever. There may be some reservations regarding it, but we will see after the second screening. Very soon. [PS: When I heard the word "No!" my heart stopped for a few seconds.] (21/08/2011)

Leaving aside Green Hornet, which came out in winter, this is the first blockbuster of the year that managed to not only meet my expectations, but to surpass them, too. If you really wanted to dig into it, you’ll find loads of inconsistencies in logic, but this film is so entertaining, genuine and emotional that I will not get into that. The old classic can be glad to have such a good young sibling, It has nothing to be ashamed of. I loved the references and I would love to take little Caesar home :) (15/08/2011)

Veni, Vidi, Vici. Now two Caesars can say this. A prequel thirty years later where the senselessly grafted on (and absolutely unnecessary) action finale in “what didn’t fit into Jackson’s King Kong" style which unfortunately reduces the emotional ride mediated by soulful ape gazes to a regular, although very well-made, popcorn movie. But it also has a “heart", which is pretty rare for blockbusters in recent years. (11/08/2011)