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In the future it is revealed that humans were not born on Earth but the planet was, in fact, seeded by the royal House of Abrasax, the most powerful alien dynasty, 100,000 years ago. After their mother dies, the Abrasax children and heirs to Earth - Balem (Eddie Redmayne), Kalique (Tuppence Middleton) and Titus (Douglas Booth) - compete for their inheritance. When Balem, who currently controls the planet, discovers that Earth-born cleaner Jupiter Jones (Mila Kunis) is also an heir he arranges for her to be killed. With the help of interplanetary warrior Caine Wise (Channing Tatum), Jupiter must face Balem as he plans to harvest the Earth. Can she rise to the challenge? The cast also features Sean Bean as Caine's comrade Stinger and Terry Gilliam in a small role. (Warner Bros. Home Entertainment)

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Reviews (12)

lamps 

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English A film where, due to a completely dysfunctional narrative continuity, we often don't even know what awaits us in the next minute (which could be a big plus), but due to a catastrophically overstuffed and unbalanced script, bland characters and a chaotic depiction of everything from the setting to the motivations, we end up not caring about it. It’s hard to imagine a greater travesty that Hollywood, as a purveyor of expensive non-art entertainment with infinite expressive possibilities, from the visual to the aural, has ever produced or will. 20% ()

D.Moore 

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English I didn't expect much, but I got more than enough. Fabulous sci-fi trash in the best sense of the word (in short, a full-fledged successor to 1980's Flash Gordon), set in an absolutely amazing world and almost constantly entertaining. Hand on heart, it's not much different from the much-vaunted Marvel movies. True, there could have been a little more perspective (crop circles and space bureaucrats with Terry Gilliam amused me immensely), but then Jupiter Ascending could also have turned into an awkward comedy, which the Wachowskis (after Speed Racer, thank God) clearly didn't intend. The action scenes are superbly engaging, the special effects are lavish, everything is nicely clear and understandable, but perhaps the most pleasing thing for me was Michael Giacchino's bombastic music and its judicious use, which makes it not really stick out from the film , but it is not simply neglected either. Four pure stars and I'll probably go to the cinema again (I'll put on Flash Gordon before that happens). ()

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Malarkey 

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English I was sort of hoping that the Wachowskis wouldn’t pour 200 million dollars into a black hole and so I’ve been ignoring the reviews around here before I watched the movie myself. I played it with excitement and within a few minutes, I got into a phase where I would have probably immediately turned it off if it weren’t for the beautiful space shots and effects, because the story is totally out of it. At first, the very first shootout reminded me of Star Wars, then the space scenes moved more towards Star Trek and then Channing Tatum popped onto the screen to explain that he’s a werewolf from outer space. It really couldn’t have been any dumber and I’ve never seen a more idiotic movie with such a high budget. ()

Scalpelexis 

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English Oh, dear Lord, that was awful. My expectations were ultra low, but this outdid them all. It's basically the most miserable variation on a harlequin Shrek: everyone wants the princess, but true love awaits in the form of a muscular dog from a dingy alley who is to take her to them (which is actually fitting for a toilet cleaner), and she finds out over time (pretty quickly, actually) that there’s less than 100 people in the glittering can and that she's totally horny. The script is from the realm of the most hellish fantasies you can have, and I don't buy at all that this duo could ever create something like the legendary Matrix. The actors clearly suffer when they have to chew through ultimate lines like: "You don't understand what that means but... I have more in common with a dog than I have with you." - "I love dogs. I've always loved dogs." And I suffered with them, writhing on the floor in pain, I was begging and pleading! Even if I had a room all pink, saved all my teen magazines from my adolescent years, and was considering lip surgery, I still couldn't have swallowed this "romance" without assistive devices. If I turned the sound off, I'd get the impression that it was a sort of bombastic, action-packed fashion arena for Mila Kunis, if you can endure watching her sour face. I'm going to reboot my brain, douse myself in liquid oxygen and goodbye, hopefully forever. ()

J*A*S*M 

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English For me, probably the guilty pleasure of the year. The film is aesthetically unattractive, with a leading villain that takes it all the way to 11 and a very incompetent casting. When Mila Kunis tries to look serious, it simply doesn’t work… but when she tries to drop one-liners, it’s almost painful. Only the core premise of planets as people factory-farms or fuel to keep the vitality of the galactic rulers had some potential, but this time the Wachowskis were unable to exploit it. On the other hand, I must confess that, in its own way, this crap was actually fun. ()

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