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U.S. Federal Air Marshall Bill Marks (Liam Neeson) is all washed up; a former cop struggling to deal with his violent past and wrought with self-doubt. On a routine flight from New York to London, he receives a threatening text message from an unknown caller ordering him to deposit $150 million into a secret account or a passenger will be killed every 20 minutes. It's now up to Marks to hunt down the culprit and save the passengers the only way he knows, with brute force. It's a race against time and a race against death as this frequent flyer is about to experience something far more explosive than mere turbulence. (StudioCanal UK)

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Kaka 

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English A solid average that’s nothing to write home about. There’s an undeniable partial originality in terms of visuals (the text messages in the background, etc.) and in terms of the progression of the plot, when Liam Neeson, as a retired Marshall, falls into solid paranoia in the first act, but that's about it for anything truly interesting. And no, don't expect any action this time, this is not Taken. The only truly interesting fight is the opening one in the toilet, and it doesn’t get any better than that. On the other hand, what is not missing is the traditionally overblown ending and the digital landing. ()

Filmmaniak 

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English This film is an action thriller that turns into an absurd comedy after fifteen minutes that attacks your brain neurons with utterly stupid twists behind a hair-drawn storyline and clichéd stereotypes - airplane passengers, who of course include a Muslim doctor with a beard, a little girl flying behind her father, lovers trying to have sex on the plane, a computer expert able to program a message with a virus in eight minutes, and a woman who earns the full trust of the protagonist just by sitting next to him. Liam Neeson is traditionally the ultimate badass, but his opponent, an "invisible terrorist", would have to be a thousand times bigger badass to come up with such a sophisticated plan based on a perfect estimate of the protagonist's reactions, a perfect overview of the situation and an endless number of hellish coincidences. Thanks to its unrelenting pace, at least something is always happening in the film, and given to the dynamic camera and successful action sequences, the film is nice to look at. In the end, however, it's just single-use, popcorn action nonsense, offering quality filmmaking and over a hundred minutes of demented entertainment, but also a story so dysfunctional and illogical that it is almost interesting. ()

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Necrotongue 

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English Liam Neeson has found his niche as the character of an aging alcoholic desperately fighting for a good cause, and I can’t say I’m not a fan. This time it was not enough for four stars, though. The logical inconsistencies and melodramatic-clichéd speeches were too much for me. Having said that, I wasn’t bored, and the cast was great, so a 3*+. ()

kaylin 

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English Excellent thriller, which gradually runs out of ideas and it is clear that the ending will somehow be forced. Liam Neeson is great once again as an action hero, except for the strong emotional speech that was dictated to him by the screenwriters. Otherwise, I must say that I enjoyed the film because of its palpable tension. It doesn't last the whole time, but you will be rooting for Liam. ()

3DD!3 

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English Hitchcock with french fries. The first half works outstandingly, but gradually the lapses begin mounting up and by the finale it’s turned into a 90s air disaster movies the likes of Executive Decision or Air Force One. But the beginning is atmospheric, actors great, Liam Neeson continues to build his hard guy aura. Collet-Serra is a good filmmaker, but nobody wants to give him a decent screenplay, so for now he’s made friends with guns and Neeson. We can at least be pleased about that. ()

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