Gangster Squad

  • USA Gangster Squad
Trailer 2
USA, 2013, 113 min

Directed by:

Ruben Fleischer

Based on:

Paul Lieberman (book)

Screenplay:

Will Beall

Cinematography:

Dion Beebe

Composer:

Steve Jablonsky

Cast:

Josh Brolin, Sean Penn, Ryan Gosling, Emma Stone, Giovanni Ribisi, Nick Nolte, Anthony Mackie, Mireille Enos, Michael Peña, Robert Patrick, Jon Polito (more)
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Plots(1)

Crime drama set in the 1940s and '50s in Los Angeles inspired by the real life story of vicious mob boss Mickey Cohen and the LAPD officers who tried to bring him down. After moving to LA from the East Coast, Cohen (Sean Penn) has taken control of the town. A force to be reckoned with, he not only has his gang to do his bidding but a number of policemen and politicians are also under his command. Police Chief Bill Parker (Nick Nolte) instructs Sergeant John O'Mara (Josh Brolin) to wage war against Cohen and his men. With only a small squad which includes his colleague, Jerry Wooters (Ryan Gosling), O'Mara attempts to regain control of the city. Meanwhile, Wooters gets involved with the mobster's girlfriend, Grace Faraday (Emma Stone), which, if discovered, will only serve to enrage Cohen further. (Warner Bros. Home Entertainment)

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Trailer 2

Reviews (14)

POMO 

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English A simple action movie pretending to be a retro gangster film, where actors are illuminated like mannequins in a store. One or two thrilling scenes, a brisk pace, one-dimensional characters, attractive camera filters and a horribly directed Ryan Gosling. For him to fumble, the director’s skill must be truly abysmal. How could they have gotten such an acting ensemble for this screenplay?! Right between two and three stars, and I’m giving two because it’s a defiling of Sergio Leone and Brian De Palma. ()

3DD!3 

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English This modern approach is inappropriate. Moreover, Sean Penn completely overacted and Cohen became just a weird caricature. Thank God the casting of the team who are meant to lend him a hand is top-notch. Brolin is wonderfully obstinate, Gosling gives a standard performance and the Kurt-like Robert Patrick as the last gun-fighter in L.A. It lacks sophistication and intelligence, and modern slow-motion effects are sometimes impressive, but they begin to be bothersome after a while. A popcorn gangster movie cannot be filmed. Maybe it’s a also shame that the notorious scene in the movie theater disappeared. ()

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Isherwood 

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English An even bigger mistake than expecting Gangster Squad to be the new L.A. Confidential is to watch L.A. Confidential two days beforehand. I don't mind the lemonade game of gangsters, which mainly treads on a 'sunny' note because the actors fit the period suits exactly, cigarettes are smoked countless times, and there are plenty of excuses to get the Thompsons to bark. I can accept all that until Fleischer says he'd like to be the new DePalma and switches from funny conversational humor to serious mode, where he fails utterly. In fact, all the action scenes seem to have been shoehorned into the film as an afterthought, only one of the two female characters is anchored in the plot, and the police unit is carried by Brolin's charisma and Gosling's smile. To top it all off, it features a collection of annoying Hollywood clichés. A well-deserved fail. ()

J*A*S*M 

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English It’s shallow kitsch, without much in terms of wisdom from the screenwriter, but it’s still watchable, thanks mainly to the good cast, the nice visuals and the craftsmanship. Sean Penn’s main evil gangster, though, feels like self-parody; his attempts at looking insane and maniac were funny – but that also contributed to my experience as a viewer, which I would describe as satisfactory. It’s unlikely that I will watch Gangster Squad again (not alone, at least), but I didn’t feel any acute need to get as far away from the screen as possible. ()

Lima 

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English Shallow popcorn flick that lacks the soul, the atmosphere and that one memorable scene that have always made the gangster genre so attractive and rewarding to viewers. There are many moments, especially the last ten minutes, that were written following the manual "How to make an unwanted parody of a genre quickly and easily." The only thing that keeps it afloat is Josh Brolin’s manly charisma. On the whole, it's as routine and stupid as Zombieland, which I expected from Fleischer, so there's no question of disappointment. And please, don’t give me that “Inspired by a True Story” line. ()

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