Bohemian Rhapsody

Yeah, it was alright. While Bohemian Rhapsody is at first glance the prototypical film that misses me by a thousand miles (a musical, a biopic gay drama) is a bit of the opposite of my favorite (horror, action, thriller), but oddly enough I saw the film and I’m alive and well. Rami Malek overacts a bit too much for my taste, but he and Freddie are very similar in appearance and he doesn't do a shameful job for a second-rate actor. Story-wise, there's not much of interest and the only strong moment comes in the final performance at Wembley, which is definitely good. I certainly won't see it again, but I was expecting suffering and in the end I got a fairly watchable film. 60%. (18/03/2019)

I was never a Queen fan. For me, their music was synonymous with the cinematic Highlander, and when the name Freddie Mercury was mentioned, the most that came to mind was a duet with Montserrat Caballé. But I respect a film that conveys so much energy with such certainty. The final half-hour of the Live Aid concert is a great idea. Why complicate something that works? Wasn't the reality a little more complicated? That could be another movie in and of itself. (26/07/2019)

This is not a biographical movie about the conflicting controversial Mercury´s personality. However, it is not even a film about the ups and downs of one of the most important bands in history. Where the Queen pushed / broke boundaries, the film is the exact opposite of their nature. It is "only" a completely safe “medium-current" (but at least not pathetic) and a celebrating film for fans in the form of “flying around the world through the careers of the Queen and their biggest milestones / hits". And not surprisingly, it doesn't matter at all, because it has one motto, which has the insignificant portion of films / documentaries (not only) about music. Namely, a completely unprecedented captivating driving force and energy, moreover supported by excellent technical (and especially sound; especially in Imax) aspects and performances. Not only Malek, but also Gwily Lee as Brian May and others are worth mentioning. Yes, I can complain about the fact that if I cast an actor in the caliber of Malek, who more than aptly (not) portrays, but becomes Freddy (how he managed to balance memorable poses and facial expressions with moments where only his look is enough, is worth all the praise), into the role of such a bearing and grateful role, it is an outright sin not to make full use of it and not to explore all aspects of his life. Yes, it's basically a fairy tale about outsiders, where the remaining members of the band have no place left beyond their role in the band. Yes, a lot of characters play a purely caricature role (especially the duo Ray Foster / Paul Prenter), a lot of things don't fit in time, quite a few of them are modified or even invented. There might complain about a lot of things. But, as I mentioned, that energy and pace push all these week points completely out of the field of vision and instead just rock and roll. (04/11/2018)

Finally, a movie that packed the cinema with regulars as well as occasional viewers. A hit that was destined to be a hit. The story of a band, which was destined to be legendary and unique from the very beginning. Queen is actually like that and I have been waiting for many years to see somebody pick up their story and film it in a personal way that feels good. Bryan Singer felt it exactly as I hoped. I could talk about its pros, but also cons. I could talk about the good, but also weaker moments. There are points of the plot of the movie, which I don’t really understand, but on the other hand, there are also points which made me think about what Freddie was possibly like and what sort of life he lived. On the next day, I agreed with my coworkers that the movie is actually very conciliatory as far as Freddie’s life is concerned. I believe that the true reality was much worse… harsher. However, the story oozes a great deal of humility. It also shows the great respect of the whole band for the man who grew up with them and who is for me the greatest singer of the century. That may be one of the reasons why I am giving it five stars and I am unable to rate it differently. You can feel the precision and emphasis on details, which I am sometimes missing in other biopics. It conceals the soul of a perfect story, which has not been seen for a long time and probably won’t be seen for a long while. (08/11/2018)

Bohemian Rhapsody is an emotional and vigorous celebration of artistic dedication, individualistic eccentricity and the importance of standing your ground. The funny and fresh introduction of how the band’s greatest hits were created in the studio provides some comic relief from the emotional relationships that build the characters’ depth and, at the same time, serves as a musical precursor to the final CONCERT, which with amazing technical skill summarizes all of the joys, pains and life values of Mercury and his loved ones touched upon by the movie. One can hardly believe that it was so “movie-like fateful” in reality and that the Mercury’s ex-wife was always the person closest to him, even though he had strayed sexually. This amazingly edited, lighted and, above all, well-acted film offers a lot of playful details without a single creative lapse or weak spot. Rami Malek has you in the palm of his hand from the moment he appears in front of the cameras. You’re there with him, getting drunk on his acting performance and watching the uniquely depicted character placed in the web of friendly, professional and romantic relationships. You admire him, root for him and, in the end, during the CONCERT, you feel terribly sorry for him. You feel that the world lost something precious when it lost Freddie Mercury. Bohemian Rhapsody is the best music biopic I’ve ever seen. A huge screen and quality sound are a must. (30/10/2018)