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Directed by Michael Bay and produced by Steven Spielberg, this sci-fi action adventure is the fourth instalment in the film series based on the 1980s cartoons. Four years after the invasion of Chicago, mechanic and single parent Cade Yeager (Mark Wahlberg) discovers what he believes to be a dilapidated truck and takes it home to repair. What he really has resting in his garage is a deactivated Optimus Prime (voiced by Peter Cullen). When government officials learn of the discovery they try to push humanitarian boundaries in the name of scientific development. (Universal Pictures UK)

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kaylin 

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English Of course, I didn't expect a high-quality intelligent film, but that was to be expected. The Transformers' transformations are still great, and I was most excited about the robodinosaurs, which were simply amazing. However, it's still the same disgusting Bay's concoction, consisting of a lot of technology, slow-motion shots, and untalented actresses. Some dialogues are truly pathetic... ()

Marigold 

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English Relative brain loss / the fun is worse than part two and three. Something keeps getting moved from place to place under a flimsy pretext, takes a position, destroys everything within reach and travels further for another flimsy reason. The 165 minutes and the lobotomized story sometimes made it difficult for me to understand why, because it all seems so sparse, a bit like an advertisement for (mostly American) cars accompanied by pyrotechnic effects. At the end, the film plays to the Chinese audience, everyone hugs and the story returns roughly to where it was at the beginning of part one, and only the appearance of the actors and their casting changes a little. If you're able to spend two and three-quarters of an hour to see the capabilities of 3D IMAX detail, you're ok, but while Edwards recalled the magic of the perspective in Godzilla, this sounds like a fucking waste of time and money to me. For fans of the series, the good news is that Transformers can continue to run in an endless loop, because "we all have a boss" and even the highest boss has a higher boss. [40%] ()

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D.Moore 

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English I give the fourth Transformers one more star than the previous ones, because it is the second best installment of the series. The special effects are perfect, of course, but the good thing is that besides the robot fights, I was also interested in the humans this time, and the character of Stanley Tucci was especially good. I liked the ending with the Dinobots very much, I was pleased that Michael Bay finally filmed the action clearly (he had practiced the long shots last time) and that there were not as many Autobots as before and they were more likeable - especially the bearded, cigar-wielding, John Goodman-voiced Hound. ()

Stanislaus 

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English Contrary to many users here and the rating of the film in general, I liked the fourth episode of Transformers more than its predecessor, which is also due to the recasting of Shia LaBeouf, who was very annoying in the third. While Mark Wahlberg is not to blame for the somewhat crappy script, he was nevertheless much more tolerable, which cannot be said for his daughter and her boyfriend, who were similarly annoying as Shia. The partner-family story line went completely over my head and the film could have done without it just fine. Stanley Tucci could have been given more space and Kelsey Grammer was fine, but his villain didn't have enough charisma. To accuse the film of an over-long running time, lack of emotion and a silly script would be like carrying firewood into the woods, as the franchise builds on this combination – and in this case it bothered me less than with the third part. As for the technical execution, it is again an audiovisual orgy, of which I liked the alien ship, the escape from it and the final battle in Hong Kong the most. Besides that, as a die-hard dinosaur fan, I liked the film incorporated these giant creatures into the plot, even though it might have looked excessive. In the end, it's a weaker three stars, but since I found Extinction better than its predecessor, I'll give it a boost to differentiate the two works qualitatively. If I’d seen the film in the cinema, however, it would be a clean three stars. ()

3DD!3 

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English A dumb story is again plays a front for shifting the frontiers of special effects technology. Bay finds the most wonderful corners of our planet and uses them as the backdrop for impressive battle scenes. I still don’t understand how somebody can expect more from this than a visual feast and three hours of brain death. It’s just a shame that the female supporting role (she reminds me of the girl on YouTube with socks in her bra) is the weakest of the entire series. ()

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