Don't Torture a Duckling

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When the sleepy rural village of Accendura is rocked by a series of murders of young boys, the superstitious locals are quick to apportion blame, with the suspects including the local witch , Maciara (Florinda Bolkan). With the bodies piling up and the community gripped by panic and a thirst for bloody vengeance, two outsiders city journalist Andrea (Tomas Milian) and spoilt rich girl Patrizia (Barbara Bouchet) team up to crack the case. But before the mystery is solved, more blood will have been spilled, and not all of it belonging to innocents. (Arrow Films)

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Malarkey 

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English According to the reviews here, this slightly morbid giallo film is quite OK. Well, I don’t really think so because other than the scene involving the naked Italian actress who was trying to seduce a 10-year-old boy, I only enjoyed one other scene that I had to wait for until the very end. An average course of investigation that looked like a combination of French crime movies and Italian naughty movies reached a conclusion that literally took my breath away. You see, the final fight was like an absolutely brutal Italian Fight Club. Brutal, illogical and in the end also bloody. I had to watch the scene twice because I haven’t seen something this funny in a movie for a long time. Thank you, Mr. Fulci, you kept low-key during the entire movie but you sure had a lot of fun with the ending. ()

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POMO 

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English Don’t Torture a Duckling is one of the films that clearly prove that Lucio Fulci was not only a purveyor of trash, but also a skilled director. In filmmaking terms, this thriller-drama can be faulted only for its excessive runtime. The plot is that of a conventional thriller about the search for a murderer, formalistically set in an unconventional environment. Of course, the film is characterised by Fulci’s fetishistic close-up shots, underscored by music that has a strange effect. The film practically has no main character, instead focusing on multiple characters whose portrayal alternates from suspect to innocent and vice versa. The provocative sexual tension surrounding one of the most prominent characters, embodied by the beautiful Barbara Bouchet, is pleasing. ()

kaylin 

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English "Do not torture a duckling" is a film that stands out in the giallo genre. Just by being set in the countryside rather than a big city, it evokes a different atmosphere, as if it were a prelude to a slightly different concept. And that is indeed the case. Additionally, Fulci has a talent for incredibly powerful scenes. In this case, it is a scene where a woman is beaten and then desperately hopes for rescue at the last moment. But she does not receive it. People around her simply drive by. This is something that sends shivers down one's spine. ()

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