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When a massive earthquake brings devastation to California LA Fire Department helicopter pilot Ray Gaines (Dwayne Johnson) rescues his soon-to-be ex-wife Emma (Carla Gugino) and the two make their way to San Fransisco in an attempt to save their daughter Blake (Alexandra Daddario), but their journey is full of unimaginable dangers. Will they arrive in one piece and be able to protect their daughter from harm? The film also stars Paul Giamatti, Ioan Gruffudd and Kylie Minogue. (Warner Bros. Home Entertainment)

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Stanislaus 

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English San Andreas could be ranked alongside Roland Emmerich's disaster movies like 2012 and The Day After Tomorrow, and it certainly wouldn't put itself to shame. Within its genre, it is a solid piece of work that is average in many ways, but that's the way it goes with films like this. The film is duly laced with action and decent visual effects depicting overwhelming destruction, and as far as the cast is concerned, they are universally likeable. In short, an enjoyable flick that looks good and doesn't require much thought. ()

D.Moore 

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English The Rock acts (and is likeable) about as well as Sylvester Stallone in the 1990s, but back then, Stallone wouldn't have acted in a film this silly. One cliché after another, and it relies on amazing the viewer with effects, which are not overwhelming, and pretty soon they get old, and it takes itself almost deadly seriously. Perspective is desperately missing - the comedy string that Roland Emmerich can play so well (I was very entertained by 2012, and it’s not much more sophisticated in terms of the storyline) did not even tremble in San Andreas. Unlike me while watching Alexandra Daddario... ()

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Kaka 

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English I feel greater ambition from this than in Emmerich's recent film, which simply rudely get your money without delivering anything interesting. Gone are the days Independence Day. San Andreas is a more ambitious film in this aspect. Although the dialogues and the concept of the script are one big American cliché with all the flaws and shortcomings that we are used to, at the same time, I occasionally see a subtle homage to the nineties in it, depending on how much someone delves into the genre. However, the formal side is captivating. So much tension and phenomenally escalating scenes, not only in terms of destruction and visual effects, but also the panoramas, the raids, the flyovers, and several great shots without cuts (especially the opening one in San Francisco on the roof of a building) – it’s definitely on a higher level than just mindless entertainment. I felt the effort there. It’s not a groundbreaking film, and will also be forgotten over time, but it definitely won't offend the intellect if approached reasonably and some things are overlooked. Dwayne Johnson can act! ()

Lima 

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English The Rock is cool, no doubt about it. Otherwise, this is just a bunch of terrible, boring clichés, dull dialogue, amateurish acting and overwrought CGI; just everything I hate so heartily about the current mass production of the dream factory. And three people wrote the script for this? This shows that some professions in Hollywood are even easier than receiving welfare. I never thought I'd say this, but I miss Emmerich! ()

3DD!3 

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English A great feet-up movie where the main attractions in my eyes aren’t San Fierro blowing up, but Alexandra "look at them wobble" Daddario and her movie mother. The Rock puts on a good performance and the movie certainly doesn’t lack entertainment. The putting the family back together plot line is typically Americana dumb, but suffices for this popcorn piece. ()

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