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In the real-time, high stakes thriller, George Clooney and Julia Roberts star as financial TV host Lee Gates and his producer Patty, who are put in an extreme situation when an irate investor who has lost everything (Jack O’Connell) forcefully takes over their studio. During a tense standoff broadcast to millions on live TV, Lee and Patty must work furiously against the clock to unravel the mystery behind a conspiracy at the heart of today's fast-paced, high-tech global markets. (Sony Pictures Home Entertainment)

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kaylin 

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English I like that it takes place in a small space and that it's primarily a film that wants to captivate and entertain the viewer. However, it's also a film that shows the problems within society. It's depicted quite naively and superficially, but then there are words spoken that are terrifyingly true: "What can you do to me?" "What have I actually done that's illegal?" ()

3DD!3 

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English It seemed to me that I already saw something like this somewhere else and made better. A fine idea, but more work was need on the screenplay and it lacks an emotional climax. The kidnapper is unpleasant and O'Connell doesn’t have enough charisma to make up for the flatness of his character and his imperfect intentions. Clooney isn’t cast well even though he gives a decent performance, I could maybe imagine Downey in the role. Dominic West just turned up to pick up his wages, which is a shame. Foster isn’t good at drama and several times she spoils a perfectly good subplot which could have engaged the viewer. I liked the overall message, the realistic consequence of a cliché situations and the well illustrated corporate structure, but it had much more potential. ()

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EvilPhoEniX 

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English George Clooney and Julia Roberts are already faded stars for me and they can't pull off this mediocre financial thriller on their own, their star power has expired. The film is not very suspenseful, since the main villain didn’t look that dangerous to me, I wasn't scared of him, he didn't act intelligently, and spoils the viewing experience a lot. The finale was quite good, but I still have the impression that if it was directed by a man, we would see more violence or a thicker atmosphere, thus a better viewer experience. But it was watchable, I didn't get bored. 55% ()

D.Moore 

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English I guess it's on the level of Mad City – nothing too original or surprising, but a well-acted and seamlessly shot film with a good concept. George Clooney and Julia Roberts are one of those dream acting duos and would draw attention to practically anything, so it's a good thing they don't waste their star potential. As for the script, I liked that everything took place in real time and I enjoyed all the black humor and satirical quips. ()

POMO 

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English Money Monster is thriller with a nice concept but a weak dramatic drive. The emotional ending is impressive, but everything before that is neither as engaging and dynamic as in Ron Howard’s Ransom nor as cleverly plotted as in Spike Lee’s Inside Man. What it is, though, is as forgettable as Costa-Gavras’s Mad City. I am surprised that someone as ambitious as George Clooney agreed to produce this. Maybe he relied on the director’s more personal input (and talent). ()

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