Divergent

I expected a lot, but I definitely didn’t expect a distinguished post-apocalyptic world adaptation. And that made me happy. The story was a lot of fun and I have a feeling that I’ll go see the sequel at the cinema. Although, the story reminded me of the arrival of the little pupils to Hogwarts and their subsequent sorting into individual groups. Then it was a little like Hunger Games for a change. But as a result, it still had its own little world which has a potential to develop further and I’m personally very curious about the sequel. I was also happy about Junkie XL who made such a good electronic soundtrack, even though it might not have been completely of his own writing. I also liked that the authors succeeded at the tactic of fresh-faced actors. I simply liked it and now I wonder – what about the sequels? (15/08/2014)

Except for the last twenty minutes or so, not exactly a stupid dystopia. But there’s a strong sense of the female element from the source material, so in places it has the spirit of magazines like 'Bravo Girl', or whatever the young girls of today are into (I’ve no idea). As long as they are just testing, it has an original atmosphere, but when they start shooting at the end and try to make an action spectacle, it rides the wave of films that are great material for parodies. And the ending simply killed the carefully constructed – and quite interesting – atmosphere. The comparisons with other contemporary popular sagas by female authors are warranted. Not the Twilight crap, but for example Hunger Games, which benefits from shameless rip-offs of other dystopian works (especially Battle Royale), entertained me a bit more and I didn't feel like banging my head against the wall, as I did with the overly dull conclusion of Divergence. (02/08/2014)

It is hard to say whether it's because Neil Burger is obviously maturing into a top director, but he managed to take reasonably successful source material and turn it into the most surprising film of the year. Even the first installments of the genre-similar Hunger Games pale in direct comparison, despite their stronger literary foundation, as they lacked a greater connection and subtle explanations in the adaptation. Divergence does this perfectly. The transformation of the main heroine is emphasized until the last sentence, making Shailene Woodley probably the most attractive Hollywood commodity for those aged 20 and above. Maybe it was thanks to the room full of twelve-year-old girls who were leaping into each other's arms with joy that they had actually made it to the highly anticipated premiere, but the atmosphere of the five factions chewed me up much more forcefully than I expected. I don't want to be just one thing. (01/05/2014)

This film’s world makes no sense, not even at its most elementary level. Why should permanent peace and quiet be guaranteed by dividing society into five fractions? The system separates children from their parents and creates hundreds of outcasts, and yet it seems that everyone quietly agrees with it and that it works? And if it does work and everyone is where they belong and there’s peace and quiet, why does this society need a cast of lawyers? And a police cast? Or, on the contrary, do these five narrowly defined casts have all the necessary professions? How many people live there? It doesn’t seem that a lot. And why I’m a bothering with this when the adolescent author of the book probably didn’t even think about it? And what was the conspiracy of the intelligent exactly about? I’m just asking. But it’s nice that there’s room for that adolescent cow (whom are supposed to root for, even though her first decision in the film can be summarised as “I don’t want to help people, I’m going with those sexy athletes because they are cool”) to fall in love with the beefcake. Bugger me! (01/08/2014)

Really terrible. The film rips off a lot of other films, the logic is lacking like in The 100 and unless the characters are raging with puberty hormones, they have no chance of survival. What got me was a scene right at the outset where the kids are being sorted into Gryffindor, Slytherin, and.. oops, sorry, a different film. Instead of a talking hat, they all cut themselves with the same knife, so I suppose this society has already tackled the issue of HIV. What follows is the usual mix of weird action, overblown romance, ridiculous acting, and melodrama accompanied by an awful soundtrack, culminating in the film's ending. Considering I gave Season 1 of The 100 one star, I can't go any lower with Divergence, which is a shame. On a final note – 139 minutes!!! (17/08/2016)