Divergent

It is hard to say whether it's because Neil Burger is obviously maturing into a top director, but he managed to take reasonably successful source material and turn it into the most surprising film of the year. Even the first installments of the genre-similar Hunger Games pale in direct comparison, despite their stronger literary foundation, as they lacked a greater connection and subtle explanations in the adaptation. Divergence does this perfectly. The transformation of the main heroine is emphasized until the last sentence, making Shailene Woodley probably the most attractive Hollywood commodity for those aged 20 and above. Maybe it was thanks to the room full of twelve-year-old girls who were leaping into each other's arms with joy that they had actually made it to the highly anticipated premiere, but the atmosphere of the five factions chewed me up much more forcefully than I expected. I don't want to be just one thing. (01/05/2014)

Really terrible. The film rips off a lot of other films, the logic is lacking like in The 100 and unless the characters are raging with puberty hormones, they have no chance of survival. What got me was a scene right at the outset where the kids are being sorted into Gryffindor, Slytherin, and.. oops, sorry, a different film. Instead of a talking hat, they all cut themselves with the same knife, so I suppose this society has already tackled the issue of HIV. What follows is the usual mix of weird action, overblown romance, ridiculous acting, and melodrama accompanied by an awful soundtrack, culminating in the film's ending. Considering I gave Season 1 of The 100 one star, I can't go any lower with Divergence, which is a shame. On a final note – 139 minutes!!! (17/08/2016)

Except for the last twenty minutes or so, not exactly a stupid dystopia. But there’s a strong sense of the female element from the source material, so in places it has the spirit of magazines like 'Bravo Girl', or whatever the young girls of today are into (I’ve no idea). As long as they are just testing, it has an original atmosphere, but when they start shooting at the end and try to make an action spectacle, it rides the wave of films that are great material for parodies. And the ending simply killed the carefully constructed – and quite interesting – atmosphere. The comparisons with other contemporary popular sagas by female authors are warranted. Not the Twilight crap, but for example Hunger Games, which benefits from shameless rip-offs of other dystopian works (especially Battle Royale), entertained me a bit more and I didn't feel like banging my head against the wall, as I did with the overly dull conclusion of Divergence. (02/08/2014)

Did I understand (I hope correctly) that this is the story of two robots that dream all of it during memory formatting? The film is like Ender’s Game for Bravo magazine teen consumers, or I don't know what the kids are reading these days, I lost contact with trends similarly to how this film lost contact with logic and meaning. If it weren't for those few solid hallucinogenic burgers, it would have been a horrible reduction diet. (28/04/2014)

Genre-wise, it is not as pure and systematically politically incorrect as Hunger Games, although there are certain parallels. The heroine, on the other hand, is similarly attractive and vital. There is also much less political subtext and much more survival and love story – by the way, it's okay, you can survive it. The main characters are extremely well-cast, the visuals are stylish, and the dialogues are smart and acerbic – enjoyed it, even though it's full of clichés and has quite uneven action that is gripping at times (full-contact fights) and confusing at others (shooting). That said, it’s good stuff for a wider audience. After Hunger Games, people were craving something new, here it will be like a new sandwich from KFC, not the best food in the world or a revolutionary novelty, but it generally tastes good to everyone. (01/05/2014)