Fair Play

A very decent attempt to make a great Czech sports film, with excellent performances and a well chosen theme. But one small detail spoils the purely realistic feel of the whole project - the main characters of the plot work in a skillfully reconstructed early 1980s retro, but it's as if no one else existed outside of them at that time. Of course, it is not only the sporting performances of Bárdos and Josefíková that are a joy to behold, and that is what it’s all about. Aňa Geislerová also royally played the role of a mother several years ago and she still has what it takes and is finding new acting roles for herself all the time. For which I thank her again. (11/07/2014)

Fair Play doesn't comment too well on me because on one hand it pleased me, on the other it disappointed me. It's nice that it admits what everyone already knows, namely why Helena Fibingerova had such hairy legs, but it annoys me that the biggest heroes are once again those who escaped the evil Bolsheviks to the West, while the rest of us loyal servants proudly held the torch of socialism, of course excluding those whose escape failed, they suffered here of course. I'm tired of it already, I hope another regime change won't come, I wouldn't want to memorize the names of new heroes. It seems to me like the movie wants to be deeper than it really is, but I would still like to highlight the very decent performances, I would see the mistakes more in the screenplay. (17/08/2016)

A very good film with two quite crucial "buts" for me, which I will describe in a slightly spoilerish P.S. Fair Play is filmed with ease, the period atmosphere is good and Judit Bárdos is absolutely great in the lead role. Surprisingly, I also liked Aňa Geislerová this time, who gives a very civil performance. It's a compelling, sad story that wants to make the viewer think, and I hope it will lead as many of them as possible to that conclusion.____Slightly spoilerish P.S.: I didn't like the fact that the mother and the coach didn't also involve the doctor in their plan to secretly administer the stromba to her daughter, because then there would be no risk of her "telling" (which is what happened). I'm also quite fed up with StB plots that always start, run and end the same way. (12/10/2014)

I applaud because this really worked as a whole. The 80s, a story that nails the viewer to their chair and reminds them a bit of what was and what isn’t a given. Judit did a great job, and since she was new to me, I enjoyed getting a peek at this unfamiliar face in different positions. The direction was excellent too. The fact that I accidentally came across the film now that the Tokyo Olympics are in full swing is only enhancing my cinematic experience. And I guess that's why I can't score it any other way. (27/07/2021)

Unlike the main character, the film occasionally raises its knees quite high. And it doesn’t really work the way it's supposed to. Mainly through its occasional abbreviation in the development of Anna and Tomáš's relationship (meeting on the tram?), it undermines the effect of several related scenes, thus unnecessarily undermining the well-constructed dramatic storyline, which is mainly about personal dramas and moral dilemmas. Fortunately, these work on other levels (the coach, the mother). Yes, it will be mentioned many times, the martyr's pedestal that the director puts someone else on every moment is at times too schematic. But fortunately, the strength of the film lies in the performances. Bareš's STB agent, Malý's club doctor and especially Judit Bárdos brings interesting acting charm from Slovakia after a long time. Aňa tries hard, but she is too young a mother in the role that was stamped on the director at Negativ, instead of the intended Ivana Chýlková. Anyway, the film's a pleasant surprise, if only because it wants to come to terms with the recent past and isn't afraid to go its own way. (06/03/2014)