Predestination

A film that will make your head spin with its temporal paradoxes and atypical sequence of scenes. But I’m not sure how much of this was the intention of the people behind the film and how much was purely failed experimentation. But the beginning has everything, gripping immersion, the camera raids, the dark filters – an atmosphere like in Watchmen. The middle is better thanks to Sarah Snook, who steals all for herself. But the revealing ending is chaotic already. After it's over, it leaves some uncomfortable question marks here and there, and that's not good. (08/06/2016)

Here even the word “paradox” falls short… In other time-travel films, time paradoxes are obstacles that the filmmakers try to overcome to no avail, and which fully manifest once the viewer begins to question the logic of the story, but in Predestination, the paradox is the alpha and the omega of the story. The creators carefully build it, almost trying to make it as paradoxical as possible. (25/11/2014)

Excellently directed time travel movie with more twist than a corkscrew. The cast is fairly unknown, Sarah Snook was an ingenious idea. A picture that stays one step in front of you, even if you believe that it isn’t. If possible, don’t try to find anything out about this movie. Don’t even read the summary. What came first? The chicken or the egg? (11/01/2015)

A sci-fi story full of temporal paradoxes, whose highlight is the first half marked by a retrospective narrative of an extraordinary human destiny. If the whole film were as gripping and atmospheric as this opening passage, which gave me pleasant chills just by the beautifully matched shots of the faces of the two discussing characters, it would be an absolute and unprecedented hit. But the last thirty minutes not only made my head too muddled with all the time shifts, but also completely disrupted the existing harmony of the narrative, which up until then had made me purr with unconcealed bliss. It's as if the Spierigs wanted to convey an awful lot, but while I bought and believed it at the beginning, by the end I was barely listening. Great shame. 70% (08/07/2015)

Sitting at the bar with a shorter haircut telling her story, Sarah Snook looks like a young DiCaprio in the 'pre-Titanic' era, and not only does she look it, she gives a similarly fantastic performance. The entire first hour, its narrative, offers one of the most interesting passages the film world has delivered in the last year. Unfortunately, though, when the cards are laid on the table, the only thing left to play with are the temporal paradoxes so beautifully parodied in the Back to the Future trilogy. It's a great shame because a lot of potential was wasted. (05/01/2015)