The Fault in Our Stars

A self-aware mix of romance and drama (a classic trend of recent years), with just the right amount of both. Too bad about the drawn-out ending, though, which may be too sentimental, but understandable considering the catharsis and the film's tone, but it never descends into awkwardness or pathos. The chemistry of the two leads is excellent, with a great Shailene Woodley, who will significantly overshadow Jennifer Lawrence in the future. (13/07/2014)

In the context of the melodramatic “sick flick” subgenre, The Fault in Our Stars is satisfactory as only a film about dying teenagers can be. The creation of endings as one of the primary means of “making sense” of our existence is cleverly elevated to a leitmotif of the narrative, which from the opening words is presented as story about a story (or rather about making up stories). In Hazel’s case, the desire for a concluded narrative and control over her own story is strengthened by her illness. (In the director’s cut, Hazel’s transformation from the subject of the narrative to the subject conveying the narrative is more pronounced thanks to the scene in the ambulance, where she comes up with the continuation of the poem for Gus). The protagonist is motivated by a need similar to that which we as viewers satisfy by watching fictional stories. Due to the fact that our lives will end without us being able to add anything to them, fictional narratives serve as simulators that reconcile us with our own mortality. Melodrama most strikingly exploits the tension between fear of the end and the need to give that end a clearer form. The Fault in Our Stars is not satisfied with the helplessness of the essentially good characters (or those that are willing to change for the better) who are facing a terminal illness and attempts to reflect the aforementioned quality of melodrama on multiple levels. Though it’s true that the film bears all of the hallmarks of midcult filmmaking (parasiting on serious issues, audio-visual attractiveness, wrapping banal ideas up in dubious and important-sounding speeches, superficial characters), it achieves a more powerful emotional effect than many other, similar films thanks to its use of simple narrative devices. Credit is due mainly to the believable young actors and the screenplay, which is artful enough that you believe it rises above the clichés of Hollywood tearjerkers (though it does in fact jerk every last tear). Due to the ingenuity with which the film strives to convince us through flashes of black humour and the signs of unwillingness to play by the established genre rules that it is not just another run-of-the-mill melodrama, I gladly let myself be moved by The Fault in Our Stars. Maybe I’m becoming a softy. Or maybe I’m no longer such a cynic (and chauvinist) that I would reject a well-thought-out “chick flick” on principle. 65% (09/06/2014)

I was getting ready to watch this movie with my girlfriend for quite some time. It is advisable to prepare some tissues and steel your nerves before watching this movie, which tells a story of people where you already know in advance what is awaiting them. And it is nothing pretty. All the more surprised I was by the natural and nice way the story was told in. I also like it when Americans travel to Europe, so I enjoyed that part of the movie as well. The finale is nerve-wrecking, depressing and so on, but what else could you expect from a film like this? Luckily, the ending did not make me as sad as I was worried it would, so I think the movie managed this part perfectly. (20/05/2015)

I had heard a lot of things about this film from various sources, but I delayed watching it for a long time, as I suspected that it would push a lot of emotions, since the main themes are young people suffering from serious illnesses, so it was to be expected that there would be a grim reaper hanging around. In the end, it's a kind of bittersweet film where on the one hand you watch the characters enjoying the time they have left, while on the other hand there is the presence of impending death, which unfortunately is not a choice. I probably wouldn't watch it again, but I can still recommend this film. In short, a film that shows the fact that serious illness and death are not a matter of the older generation alone, and that it is important to enjoy every day to the fullest. (29/06/2016)

For most of its run this film was surprisingly likeable because it wasn’t the self-serving and cheap emotional blackmail that I feared. And, even though in the end things eventually take the path of emotional blackmail, one it had skilfully crossed up that point, I still liked it. The strongest point is that both of the stars manage to play their roles in a very likeable way. I was actually looking forward to being sarcastically nasty at them, but I can’t. (19/08/2014)