Fantastic Beasts and Where to Find Them

  • USA Fantastic Beasts and Where to Find Them
Trailer 8
Adventure / Family / Fantasy
UK / USA, 2016, 133 min

Plots(1)

There are growing dangers in the wizarding world of 1926 New York. Something mysterious is leaving a path of destruction in the streets, threatening to expose the wizarding community to the No-Majs (American for Muggles), including the Second Salemers, a fanatical faction bent on eradicating them. And the powerful, dark wizard Gellert Grindelwald, after wreaking havoc in Europe, has slipped away… and is now nowhere to be found. Unaware of the rising tensions, Newt Scamander arrives in the city nearing the end of a global excursion to research and rescue magical creatures, some of which are safeguarded in the magical hidden dimensions of his deceptively nondescript leather case. But potential disaster strikes when unsuspecting No-Maj Jacob Kowalski inadvertently lets some of Newt’s beasts loose in a city already on edge - a serious breach of the Statute of Secrecy that former Auror Tina Goldstein jumps on, seeing her chance to regain her post as an investigator. However, things take an ominous turn when Percival Graves, the enigmatic Director of Magical Security at MACUSA (Magical Congress of the United States of America), casts his suspicions on both Newt… and Tina. Now allied, Newt and Tina, together with Tina’s sister, Queenie, and their new No-Maj friend, Jacob, form a band of unlikely heroes, who must recover Newt’s missing beasts before they come to harm. But the stakes are higher than these four outsiders - now branded fugitives - ever imagined, as their mission puts them on a collision course with dark forces that could push the wizarding and No-Maj worlds to the brink of war. (Warner Bros. Home Entertainment)

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Trailer 8

Reviews (13)

Malarkey 

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English If you expect to go see something that will expand the universe you’ve identified with your entire childhood and that you still swear by to this day, you tread lightly – even on the cinema carpet itself. You have no clue just how enchanted you’ll be in the upcoming minutes. You do not make a sound and suspect that it all ends well. But suspicion isn’t automatically a win. Sometimes it all goes bad and it can be a real mess-up. But not in Newt Scamander’s case, who has originally introduced himself to me with zero emotions and via a book that I’d gotten as a Christmas gift that winter, that I haven’t touched since and that’s been collecting dust somewhere. But film studios are a superpower and money needs to come from somewhere. And when one brand is squeezed dry, another one must replace it and so Newt came to the stage, starting with movie number one and ending with god-knows-what number, all according to the earnings and creative possibilities, of course. But personally, I gotta say that Newt and the other characters have all left a mark on me. During the movie, I realized that once again, I was in the world of witchcraft and wizardry, just a few years earlier than before, which isn’t bad at all. I was also happy to watch Katherine Waterston and Alison Sudol, both of whom I hadn’t even known before. The muggle Dan Fogler also didn’t disappoint me and so didn’t Johnny Depp at the very end. I feel like I know the direction it’s all going to go and honestly, I’m glad Johnny Depp will be a part of it. It’s almost as if my childhood was coming back… And with these kinds of movies, that’s never a bad feeling. ()

Isherwood 

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English For me, this film perfectly fits the term "producer's film." There’s craft certainty, but also inner nihilism. The logical nonsense (why doesn't Scamander use his wand right away in the hunt and instead lets everything go to the extremes?) hidden under Yates' confident direction will lull you into a sense that everything is fine. When you want to recapitulate the plot after the end, you can’t. ()

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Hromino 

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English This movie is a two-hour shapeless glob of spittle, that someone spat out and left lying on the ground, just because Rowling wrote it, and Potter aficionados have to lap up anything connected to that world. If it was not a cult brand or, god-forbid, a completely independent work, it would most certainly have received a similar beating that The Last Airbender got. However, as symbolic as Potter is for a whole generation, they could afford to play on nostalgia, and, without hesitation, indulge the audience with a ton of kitsch, because the audience would surely forgive the movie for its many shortcomings. And then, if that is not enough for you, the pacing and atmosphere are completely dead, and the characters are indistinguishable. The scenes themselves are meaningless, put there just to show off the visual effects, and then there are the fast blurry action scenes, that appear lavish on the surface, but lack any real ideas on a deeper level. However, the movie suffers most from the impotence of its story - basically, nothing happens during the first hour and a half (!). Then, only in the last half hour do we get away from the long introduction to somewhere else. Rowling should have simply stuck to writing books and not tried to write screenplays, because she obviously has no feeling for writing movie discourses at all. She could have brought a more experienced screenwriter to the team, as she had already taken the position of movie producer. Although I still like the original book and its movie series out of nostalgia, this two-hour show of tedium almost bored me to death, and I can hardly remember the last time I was so distracted from what was going on in the story, by what was on-screen visually. For the last half hour, I will give it 1 star. ()

Marigold 

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English In general, I appreciate the excessive patience of Potter fans who wait until you know who turns into you know who, but I don't suffer from such a lack of imagination that I can't imagine thousands of better ways to waste 134 minutes of my life. Yes, the film is as long and self-serving as the previous sentence. And it has a nice soundtrack. Your Universal Platypus. ()

novoten 

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English Five years is an incredibly long time, so when the first notes of the familiar soundtrack started playing, genuine goosebumps appeared and didn't leave me until the closing credits. My beloved JK Rowling is constantly adding surprises, new ideas, and genuine magic to the script every few seconds. What's more, Eddie Redmayne perfectly fits a role for the first time in his career, a role tailor-made for his quirks and shyness, which stands out even more in contrast with the chilling (and as expected, perfect) Colin Farrell. But what I enjoy the most is that the heroes are adults who are skilled in magic, so all the chases are incredibly dynamic. Combined with the touching fairytale romance, it's not just a surprise, because I was expecting a fantastic spectacle, but I didn't expect the Fantastic Beasts to play the most touching personal notes for me. ()

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