L'argent

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A forged banknote leads to a tragic chain of events that culminates in murder, in Robert Bresson's superb swansong. Based on a short story by Tolstoy, L'Argent is Bresson's uncompromising last word on sin, chance and salvation, themes that he explored with such power and force throughout his 40-year career. Shot in the director's imitable austere style, the film won the Best Director prize at the 1983 Cannes Film Festival and is widely regarded as one of his great masterpieces. (British Film Institute (BFI))

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Reviews (2)

Dionysos 

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English Everything that exists must have a cause, and because the chain of causes cannot be infinite, there must exist a first cause. Some have used this well-known "proof" to demonstrate the existence of God. But what if instead of the traditional God, another deity sneaks in? Catholic Robert Bresson perfectly reveals what lies at the end of the chain of causes... His traditionally minimalist form suits this film precisely - that cold, slow, relentless, and hopeless submission to that deity that moves the world. And when a person does not submit to it, they can no longer demand anything from the world. Wouldn't everyone then become a murderer? ()

kaylin 

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English Interesting form of this film, which seems to be without emotions, I like on one hand, but then there is the fact that the film simply didn't entertain me. There are interesting details that I appreciate and that entertain me, but then there is the whole, which simply didn't resonate with me and I was bored with it. I can't consider the film as exceptional in any way. ()