Bumblebee

Bumblebee is something like E.T., but with a transformer instead of an extraterrestrial: an outsider without a father or friends finds a kindred “spirit” in a visitor from outer space. The whole film is set in the American suburbs in the 1980s, which, in addition to numerous hit songs of that decade, also involves watching Alf on television and a reference to The Breakfast Club. Like the early films from Amblin, it works flawlessly, without slowing down and without a scene that would sooner or later fail to find its justification in the overall structure of the narrative. Though Travis Knight does not offer such uncluttered and spectacular 3D action scenes as Bay, he dedicates much more time and space to the characters, whose actions have comprehensible motivations and are easy to connect with on an emotional level (yes, that includes Bumblebee). The film very skillfully avoids having the protagonist resolve all of her problems (low self-confidence, no friends, longing for her father) by means of getting a car. Thanks to the adventure experienced, she finds the necessary resources within herself. In the “blockbuster for the whole family” category, there is not much to complain about in this film. A very pleasant surprise. 80% (19/12/2018)

Given how disappointed I was with the second instalment of Transformers, the four stars I’m giving to this flick are quite an improvement. The authors went back to basics and delivered an incredibly simple story, whose script however contains everything I need to grow fond of Bee and enjoy some plot twists. While watching this movie, I realized that today’s blockbusters usually lack a certain charm that would make them stand out from the average and arouse some emotions in me. This film succeeded in doing so, even though I didn’t expect it to. Of course the 1980s feel, so popular in these days, played a huge part in that. Plus I must say that John Cena was a great casting choice. I hope to see him in more movies. (13/08/2019)

After the very first film, where the direct influence of Steven Spielberg was clearly evident, and out of the whole foursome, this third installment is for me the most enjoyable contribution to the whole metallized saga. What I like most about Bumblebee, which only references Spielberg here and there, is that it has real soul. The protagonist is not only pleasing to look at this time, but she's also natural and believable, and well, the rather big news for me was that I believed that a friendship really did develop between her and the revived yellow Volkswagen. It was more important to me than the otherwise pretty ridiculous storyline about people falling for the bad guys (although Agent Burns, played by John Cena, very commendably trashed it whenever he could). The gimmicky scenes were kept down to earth this time, and it was a good thing (remembering the last time Michael Bay literally drowned me with them still makes me a little sick).The only disappointment was Dario Marianelli's score – I thought his involvement was a rather odd choice, and whatever I think of Steve Jablonski, I like hearing his main theme. (05/08/2019)

By far the best (and clearest!) Film of the Transformer Universe. Which, on the other hand, does not say much about the qualities, as it is still a reprehensibly dressed uniform “wannabe consumer mix of ETho / Iron Giant / Herbie", from which it is difficult (if at all) to recall a specific scene or emotions. So, beyond the philosophical inquiries of inquisitive children, is it not too late four days before Christmas to write / draw and deliver a new letter to Santa, because “The bumblebee from the best film in the world" has to be under the tree, that´s for sure. However, Santa Claus was counting on this, so he can confirm first-hand that even an adult will have more fun with a plastic Bumblebee than with those two hours of CGI footage. (20/12/2018)

It really tries to go back to a series of emotions and at the same time follow the current trend of back to 80s. It really wants to be "cute" and have soul, so much so that it falls into a mindless schematic. All of the things are so ostentatiously assembled according to a manual that they have trouble communicating with each other. Moreover, if someone laughed at Bay that his female heroines seem artificial, this is a different type of art - Charlie is constructed as an essential outsider with emotions so consistently that her alternation of teenage angst and sadness seems purely robotic. As well as the constant incorporation of 80s realities and references into the story. I get that naivety is a trademark of films for teens, but even these can be done so that they do not act like the result of a focus group session. Unfortunately, that's exactly what Bumblebee comes off as. Props for the cameo Optimus and the unintentionally funny John Cena. I hereby disconnect from the series and I will be happy to remember Bay's total sociopathy of the last episodes. In some ways, it was more stimulating than this colorful nostalgic junkyard. (19/12/2018)