The Age of Adaline

A very, very beautiful film. A smart tale about the fate of love and inevitability in human life that grabs you by the heart not only with a sweet story that incorporates a sensitive sci-fi plot, but above all with its magical atmosphere of fatefulness and the simple but compelling, and very distinctive narration. The result is not overly sweet yet tasteful, and very, very touching. Plus the gorgeous Blake Lively and the eternally likeable Ford. 85% (25/11/2015)

A modern romantic fairy tale with the breathtaking Blake Lively, a story that is easy to understand and with a very interesting and also original role for Harrison Ford (not including the fact that his character’s name is Jones and he is a doctor). I also liked the representative of Ford's “younger version" - tell us, Mrs. Ingruber, what happened back then? (02/08/2017)

I really liked the whole idea, but unfortunately towards the end, it lost a little bit of its momentum for me and it was too much in line with what is expected from an American romantic movie. There were no surprises and I think the whole potential of the idea wasn't utilized. Nevertheless, it is one of the most beautiful romances I have seen from the United States in recent times. (03/08/2015)

It started off really nicely, I could even get past the fact that Ellis was a bit of a jerk, or the awful stalker stuff like in Twilight, but then it lost its charm. Despite all the beautiful imagery and settings, despite the pleasant narrator's voice, it ended up being pretty dull and my enthusiasm for that strong beginning cooled down quite a bit. Basically, everything that happened from the moment she crashed the car around was worthless. A nice romantic flick, kind of a weaker The Makropulos Affair that turned out to be something completely mediocre in the end, even though it had its chances to stand out. Not to mention that I actually didn't wish it for the central couple – not like that, not so hastily. In the end, I thought she loved his dad more, but that was probably because Ford is just a much better actor than Huisman. (16/12/2015)

Nicholas Sparks for adult female viewers and male viewers with nostalgic inclinations and a weakness for old things. We don’t often see a film that gains importance by pretending to be an adaptation of a novel. A branching narrative, a lot of characters, numerous flashbacks and an omniscient narrator with a very bookish form of expression are not the most appropriate means of making a smoothly and naturally flowing romantic film. Definitely not in the hands of two neophyte screenwriters with outsized ambitions. The Age of Adeline could have been an excellent melodrama in the classic mould (an externally characterised, passive and suffering female protagonist, flawless characters versus the relentless passage of time, many happy and unhappy coincidences, the inability to express one’s feelings) if it had stuck to relationship issues and not tried to deal with the infinite nature of the universe and the unpredictability of fate in addition to emotional conflicts. The result is a hybrid literary-film structure with the outline of a novel and sufficiently rich content, but without a sufficiently broad thematic scope. There is no justification for the sweeping nature of the narrative and, because of that, the film has no momentum. At its core, it is basically a fairy tale, which corresponds to the slightly surreal creative style (especially the lighting of certain scenes, as well as the narrative shots with the camera hovering high above the actors’ heads). The film is visually graceful and enchanting in its naïveté, and Blake Lively gives the protagonist the proper old-fashioned flair (not only in the dresses that she wears, but also in the way that she moves and expresses herself) without coming across as artificial. However, I see her main contribution in her willingness to go against the anti-aging trend and to admit that it us unnatural to not age. It is such a praiseworthy, yet banal and so little seen presentation of things on the right scale that I want to forgive the film for its fake depth and the would-be sophistication of the structure that bears this message. 70% (05/08/2015)