Rogue One: A Star Wars Story

The nostalgia for Star Wars: A New Hope doesn't work, and if anything, Rogue One proves only that I need to experience Star Wars with Skywalker, Solo, Kenobi, and others in order to enjoy them. Just the fact that the least important Vader steals the best scene for himself shows that the screenplay is losing in terms of anchoring new characters. I enjoyed K-2SO and Chirrut, but the whole group too willingly and conveniently marches into the role of some magnificent seven, which doesn't make much sense for some of them. If it wasn't for the action orgy in the last act, I would have left the cinema severely disappointed. I expected a much tighter experience, but looking back on the whole story, it could hardly have turned out otherwise. (19/12/2016)

Edwards filmed this exactly to my taste. A Star Wars fans’ dream come true. Nothing more, nothing less. It doesn’t change anything about the saga; these sideline events aren’t vital to the big story, they “just" expand on it. Rogue One offers a great deal of action and exceptionally (with such little room to develop) layered characters, headed by a cruelly sincere robot. Felicity Jones je excellent, but everyone in the team is indispensible for final result, which forms a founding pillar of Star Wars. Mendelsohn is a dignified baddy. An ambitious villain who is disgusted at the inefficiency of his imperial colleagues and tries to find support in Vader. The fairytale atmosphere is replaced with semi-documentary wartime confusion and excellent action sequences, and the only smear on its beauty are the two digital faces. The demonstrations of power by the Death Star were much more horrific than in the original trilogy (the fifty megaton Tsar Hadra) and if this part of Star Wars had any purpose, it was this demonstration of the Empire’s newly attained power. A more than dignified farewell to Darth Vader. (14/12/2016)

More mature? Don't let it mess with you, it´s only dirtier and free of childish staff. It is true that the first hour is largely redundant and the movie would probably do without it. There is also no denying that describing characters as one-dimensional means adding one dimension to them. On the other hand, this has always been the case with Star Wars. You can recognize scenes that were shot several times and that's not good. And what they did to poor Cushing will make you turn in the grave for more than a decade. At the same time, however, the final half hour has unprecedented zest for this series, that it goes its own way and that Edwards works impressively with space and scale (at least in Imax, it works great in this respect). Yes, it's nothing more than intense disposable blockbuster. However, it is a pretty successful disposable blockbuster that does not try to be anything else which is nice, not in terms of events let alone in terms of not pop culture idol like other self-centered movies of this universe. PS: Although Giacchin's accompaniment is not as good quality or grateful/suitable for independent listening as Williams's, it is surprisingly better, as it does not draw attention to itself and, in fact, only serves the film. (15/12/2016)

The talk of dirty war action is just ruin or unfulfilled wishful thinking, where good characters are absent, or even unbearably obnoxious, giving the impression that whether it's the overacting or if it was built this badly from the start, it's hard to keep a film on such wobbly legs that you know how it's going to turn out. Therefore, any refreshment is welcome, rather than watching a generic blockbuster, of which you have a dozen a year, and it would have been enough to throw away 120 minutes and stick the last fifteen as a prologue to Episode IV. This is because few films this year have had as strong a highlight as the one when the red lightsaber lights up in the shadows. (15/12/2016)

I tried hard to think about how to write this review so as not to spoil the movie. Let me put it this way, Rogue One has a great premise and on top of that, it is shot beautifully. Especially the final war scene is possibly the best war scene I have ever seen in the world of Star Wars. The problem, however, is that Felicity Jones looked unbelievably beautiful in the poster but in fact, her role was one of the worst roles in any huge blockbuster in the last couple of years. Not only did she look as if somebody ate her breakfast, but she also looked offended and conceited in every scene, like a little baby. Maybe she only had a swollen face at the time, but it didn’t improve the final impression. I was really looking forward to her, but in the end, her fed-up approach to the role disappointed me terribly. And similarly, Diego Luna didn’t fit the second main character at all in my eyes. And when the two main actors from the blockbuster from the Star Wars universe don’t sit well with you, it is quite a problem. Fortunately, the set of supporting characters, who were a pleasure to watch, salvaged it and slightly improved the overall impression of the movie. Too bad, I was very disappointed. I haven’t experienced such a disappointing blockbuster in many years. Well, what can you do, maybe the casting of the lead roles will be better next time? (28/06/2017)