Steve Jobs

Excellent conversation film with a frenetic pace. I had to really exert a lot of energy and attention to fully catch everything. Otherwise, I generally love these biographical works from the pen of Aaron Sorkin. Who knows, maybe after Zuckerberg and Jobs, Gates will be next. It's also worth noting the uncovering of Steve Jobs' legacy, which shows that far more than an innovator, he was a design and marketing genius. It's also worth mentioning Jobs’ destructive egomania, where he often had no problem overlooking the key colleagues without whom the whole Apple rocket ship would never have gone as far. On the other hand, this is probably not terribly surprising, because every extremely intelligent person is strange in his or her own way. But it's undeniable that Steve Jobs’ legacy is substantial, and his gradual journey to becoming one of the most successful IT businessmen of the late 20th and early 21st centuries is quite interesting, to say the least. (06/02/2018)

An excellent Boyle, and even better Fassbender and the best Aaron Sorkin. A gripping barrage of dialogue from the life of a mega-successful, unscrupulous bastard that, despite its rather violently closed-minded frame of mind, stylishly represents Hollywood's ability to tell stories of great people and their personal destinies. The plot is clear even for a complete layperson, well edited and covering fifteen years of Jobs's life and career with great clarity. However, its cold academic verbosity made me tired at times, and if it weren't for all the excellent actors, it would have been hard to buy into the one-sided emotional ending. That said, still a delectable, smart and believable conversational drama, fulfilling at the same time the function of a great narrative film. (30/01/2016)

Steve Jobs is a luxuriously crafted spectacle for attentive and knowledgeable viewers. A sophisticated choice of moments from the attractive backstage of Jobs’ work, comprehensively covering his personality in both his working and family life. The film is packed with excellent dialogue, so sophisticatedly cut in places that you cannot even take in all the information in one go. And each piece of this information is damn important for the resulting experience. The film’s complexity therefore increases with every repeated viewing, which happens once in a decade in contemporary cinema. Fassbender is inconspicuously brilliant. (03/12/2015)

Sorkin and Boyle are like left and right hands that have long since been stitched to a body to create a Frankensteinian monster that fundamentally vindicates the argument that wisdom and beauty cannot be in permanent opposition. Which, by the way, I have been proving with my own existence for some time now. The seemingly theatrical three-act plot, with its relentless deadlines stomped out by unkempt hamsters who can't wait to find out what useless, unmodifiable junk they'll let themselves get fleeced by Mac for this year, is instead a constant reminder that we're watching a movie. And not just with the fairly unnecessary format changes over the years, but above all Boyle-style editing or minimal repetition of shots. On the contrary, the characters are constantly moving and interacting with their surroundings. Themes are carried over from location to location. The characters' exalted dialogues are interspersed with those of the same characters in flashbacks, achieving, among other things, a double continuous gradation of the same theme (and the cynic may already be thinking Sorkin is overdoing it here). What’s more, when compared to Zuckerberg, for whom the screenwriter had rather a soft spot, given his zero-to-hero development in the world of the privileged, there seeps an undeniable contempt for the narcissistic sociopath who has won a grand mastery of promoting mediocrity through mere form. And with biopics, which mostly suffer from Stockholm Syndrome, that automatically warms the cockles. (07/03/2016)

They simply had to shoot this differently and focus on a family or on dialogues between some interesting characters; thus, in a way that was lacking in Silicon Valley or the movie Jobs. On the other hand, I don’t think that Steve Jobs deserves this many movies. Michael Fassbender and Danny Boyle might have showcased some proper filmmaking art, but completely in vain, in my opinion. (29/02/2016)