The Handmaiden

Typical Park, where you can't trust so much as a coffee mug, which once again captivates with its moral resignation and charmingly inappropriate humor. This time it doesn't thematize anything beyond the edge of the film, but instead resembles a child in a sandbox building a castle out of fifty little dolls, each belonging to a different battered child. On first viewing, it makes your head spin, not only because of the jumbled plot, but especially because of Park's tradition of multi-layer shots that throw in several pieces of plot information at once, and you even have to marvel at their incredible mise-en-scene and work with movement and focus. (28/07/2016)

Instead of a refined erotic game, it is more of a shallow voyeur prank that is neither provocative nor too eccentric. Its excessiveness lies in the overuse of sentiment, melodramatic clichés and naive acting. The potentially great double-twist is completely lost in the storytelling, which lacks economy and finesse. Subjectively, it took 4 hours. Park filmed his Sucker Punch to name the hidden chambers of desire and lust, as well as the devastating manipulation associated with them. But this much more than a masochistic feast evokes a red library with a few over the top violent scenes. Disappointment... [Cannes 2016] (14/05/2016)

Although there was no trace of action in the film, the story certainly didn't stagnate or get boring. The running time that seemed scary at first wasn't a problem in the end. The plot may have been slightly overelaborate in places, sometimes I even got lost in the story (due to the alternation of time planes), but I wasn't bored for a second, and the uncle's weird cravings were quite amusing. (28/10/2019)

Even though it's essentially an erotic thriller, I can't help but appreciate much more than just the erotica, which is very well shot. I particularly liked the composition of individual scenes, where Chan-wook Park proves he has an eye for detail, a sense of color selection, and an overall arrangement of shots. These are images that soothe the soul. (30/09/2016)

Park Chan-wook is probably my least favorite Korean director. This film was boring. Interesting in terms of art, the atmosphere was decent, even the eroticism was nice, but that was it. The story was too convoluted for me, I got lost. There’s no gore, nothing much to praise. I survived, I'll give it a weak three stars with gritted teeth. Still better than Sympathy for Mr. Vengeance, but never again. 50%. (10/11/2016)