X-Men 2

Given the genre, the slower pace of X-Men 2 is a handicap. More characters, more dialogue, more solving of problems than action. I wouldn’t have minded any of that if it weren’t 133 minutes long and if the dialogue didn’t somewhat fizzle out into nothing. X-Men 2 isn’t as deep as it pretends to be. But it’s just as intelligent and the characters are just as cool as they were in the first X-Men. (23/04/2003)

I appreciate how intelligently and innovatively Singer has approached this comic book material, yet X-Men 2 drags at times more than the viewer would expect when surrounded by so many amazing characters with even more amazing mutant abilities. On the one hand, a lot of the chatter is fine (I would carve in stone everything Wolverine says), on the other hand, it weakens the film as an ambitious blockbuster, whose enormous potential is, after all, clearly demonstrated by the director in the last hour. The special effects are better than in the first one, as well as the villain's storyline and the performances, only the psychology, although it gets much more space, doesn't give the impression of being very refined... 80% (23/12/2012)

Honestly, one of the best comic-book adaptations I’ve ever seen (together with The Dark Night and Watchmen). Unlike the first part, X2 goes further in almost everything, has a better story and some brilliant and unforgettable scenes (Magneto’s escape from prison), and it’s excellent overall. 9/10 (25/09/2009)

The singer reaches a climax of relationships and emotions, with characters from the past and present including very attractive deviations from various periods of comics and brings sufficiently Wolverine-like rough action and captivating finale at the dam. In comparison to the first part, certain intimacy has indeed been lost, but thanks to new characters or one inconspicuous transition to the other side of the barricade, Xavier's school once again reaches for perfection. (18/06/2005)

In the context of comic book adaptations, this is definitely one of the more successful endeavors, but it is also a common commercial product that did not convince me with what it had to offer. The first two films Singer directed have greater ambitions and strive for a certain depth of thought at least in their genre than, for example, Hood's purely popcorn teenage flick X-Men Origins: Wolverine. Although I gave it 4 stars, I admit that I have never been a fan of similar mainstream comics about superheroes and mutants. This kind of fairy tale for grown-ups simply tires me. In terms of acting, it is solid, and the direction cannot be denied high professionalism, but the script seemed somewhat chatty and diluted to me. Overall impression: 60%. (02/07/2010)