The Big Short

This is a very difficult movie to watch and I believe that I’ll watch it again soon. It’s got a lot of information about finances that I kept getting lost in. And it didn’t even help that there was an insertion here and there that explained some of the terms very nicely. For example, Margot Robbie in a bathtub made for a very pleasant insertion. But the 130 minutes still flew in a blink of an eye and I really liked that about the movie. It told a really difficult topic in a very interesting way. The director Adam McKay went wild with this one. And we can also thank the actors like Ryan Gosling, Christian Bale or Steve Carell, who have taken the story to new heights. And when it comes to Steve Carell, I must admit that the longer I’ve known him, the better roles he keeps getting. The Big Short was a big surprise. It presented the big mess-up that the entire America has been though in a really original way; although, it was a big mess-up for most ordinary people and then just a slight mishap for the selected few who think they rule the entire world. And often, they don’t just think so, unfortunately. As far as the global capitalism goes, this is an eye-opening movie. But just for a little while. Thinking about this for any longer could cause infinite depressions. (23/02/2016)

For me, the plot of The Big Short revolves too much around mortgages and banks. It lacks the playfulness and lightheartedness of The Wolf of Wall Street, which would be entertaining even if you saw it in Chinese. When the final credits informed us of “Where are they now” in text only, without photos of the characters, the names weren’t enough for me to know who these people were. But the actors were great, and I was the most surprised by Steve Carell, who seems to be transitioning from light comedies into character acting. (07/01/2016)

A Little bit like Margin Call, a little bit like The Wolf of Wall Street, a little bit like John Oliver... Pell-mell, which holds together despite all assumptions and the creators do not play it safe. On the contrary, McKay has a nicely subversive and viewer-friendly approach to a topic that is difficult to grasp. His approach is perhaps too inconsistent (but thanks to this, it is exceptionally dynamic) and where "each of the great cast" steals a show for some time, but as a result, he managed to make a film that sheds light on the financial crisis in such a way that it works both dramatically and comedically (in the best moments even within the same scene) and, in addition, it was understandable even to those who have no idea what financial market is about. (16/01/2016)

Immediately after watching the movie - albeit reluctantly and with considerable hesitation - I awarded the film a dirty four stars because there is never enough criticism of greed and spinelessness. However, I am writing this comment sometime later, when the shortcomings of the script have fully revealed themselves. While it does analyze the causes of the economic crisis of the memorable year 2008, it does so in a somewhat cumbersome and less understandable way for the average viewer. The Big Short does not work as a captivating story with charismatic characters, such as in The Wolf of Wall Street, nor is it an intimate drama that exposes human characters to the core in a borderline situation, as was the case in Margin Call. In the realm of movies depicting the nefarious activities of financial institutions and discussing the crisis of trust in modern Western society, this film simply does not belong to the top tier. Overall impression: 60%. (03/10/2022)

The makers of The Big Short were fortunately conscious of how indigestible a film overloaded with names, numbers, abbreviations and the uncovering of complicated relationships between the individual components of the investment market would be. Therefore, they conceived the film as a two-hour shouting match between a few eccentrics, speaking in advanced economic gibberish instead of human language. Without resigning itself to fidelity to the facts, The Big Short attempts to tell the story as graphically as possible and with the detached humour found in The Wolf of Wall Street. However, McKay is no Scorsese, especially in terms of storytelling abilities. Our guide on the path to economic disaster is Jared Vennett, who occasionally turns directly to the camera or stops the flow of the narrative to gleefully shed light on the tricks that the big fish on Wall Street use. But his own tricks quickly become predictable. The breaking of the fourth wall by the plain-spoken narrator is mainly a means of distraction, not – as in Wolf – an essential part of a well-thought-out narrative strategy. Similarly, the film randomly intersperses the exaggerated comedy with moments of existential crisis for the increasingly helpless Baum (the scenes with his wife are among the most unnecessary of the whole film, which is rather regrettable, given the casting of Marisa Tomei). Also distracting is the hyperkinetic editing and shaky camerawork by Barry Ackroyd, who shoots the sharp exchanges of opinion in the enclosed offices as frantic (Greengrass-esque) action. From start to finish, he zooms, refocuses and pans with admirable energy, resulting in the blending of scenes that are crucial for the narrative with others in which nothing essential happens. Neither the pacing nor the urgency with which the film speaks to us is developed. The film is monotonous, lacks suspense and surprises, and is rather more reminiscent of a PowerPoint presentation than a drama that is funny in places, but you have to force yourself to pay attention to it for the whole two hours. It helps a lot that some of Hollywood’s most charismatic actors vie for our attention; they are excellent especially in the brazenly farcical moments. The partially improvised scenes involving them shouting each other down are among the highlights of the film. Due to the shallowness of their characters, however, they have nothing on which to base their performances during the more serious moments. The same can be said of The Big Short as a whole. As merely a cynical comedy ridiculing people who make million-dollar transactions with no more thought than evacuating their bowels, it is highly entertaining. As a warning against the inherent rottenness of capitalism, it falls flat. 70% (28/02/2016)