Rome, Open City

  • Italy Roma, città aperta
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OPEN CITY, Roberto Rossellini's startling depiction of Nazi-occupied World War II Rome, and one of the most prominent examples of his neorealist cinematic style, is the story of a tenaciously held underground resistance against the Germans. When its leader, Manfredi (Marcello Pagliero), and a priest, Don Pietro (Aldo Fabrizi), are captured, the resistance collapses, with disastrous personal results to all. (official distributor synopsis)

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novoten 

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English Unfortunately, I understand the message of the movie, but I didn't manage to penetrate into it. Empty dialogues and images alternate with captivating and suspenseful scenes, which result in strongly conflicting feelings after watching. It is unfair to give a percentage rating to a film that aimed to "show," but for me, this time it is only better than 50%. If I have the opportunity, I will gladly give it a second chance, but for now, I don't find a common language with Rossellini. ()

kaylin 

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English I didn't even want to admit it, but neorealism has something to it. The camera that captures the events here is incredibly natural and does not shy away from moments that still have something to say even after so many years. Especially because they are very emotional moments. The ending offers several of them, but it's worth watching the film not just because of it. Italy has made a comeback. Especially in terms of movies. ()

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