Get Out

A feature-length episode of Black Mirror, which the wave of last year's Moonlight and related racial themes nonsensically elevated to the level of a battle for Oscars. Daniel Kaluuya authentically experiences all the sensitive and menacing moments in the role of the main protagonist, and I am very glad to see the underappreciated Allison Williams in a leading role, but it's not enough. An interesting concept is not sufficient for an entire film, and after all the reviews, I inevitably expected a foundation of a new direction or at least a surprisingly well-guided genre film. However, nothing lies beneath this slightly superficial portrayal with its one-sided point. (21/02/2018)

Earning USD 150 million at the US box office with a budget of less than five million dollars? Jason Blum is the man. And it seems that a new age of black directing talent is at hand. The atmosphere of Get Out is reminiscent of the works of Stephen King, and had it been based on one of his books, it would have been one of the best King adaptations ever. The psychological horror formula, intensely and courageously built on the sensitive issue of racism, will send chills down your spine. Flawlessly directed with intelligent social insight, the movie is effective thanks both to the tension between the characters and purely genre elements (jump scares, raising of the tension using visual tricks). If it had a cleverer ending, it would be a work with precision reaching the level of Shyamalan’s famous trilogy. [ArcLight Santa Monica] (30/03/2017)

The completely reversed view of racism caused that Get Out is one of the most interesting thrillers that I have seen recently. Racist hatred created a very strong story here – and it’s best that you know as little as possible about it before watching. That way, you will be really surprised and at the same time you will feel suspense with every passing minute, which will make your experience of the movie even stronger. On top of that, I have to add that Daniel Kaluuya made a very interesting impression on me. We’ll see what other movies he comes up with in the future. (15/12/2017)

The atmosphere of the film Get Out is its strong point, where some scenes are truly shot so hauntingly uncomfortably that you'll be stunned. The scene with the runner, for example, literally gives me chills. But the real strong element of the film is the performances, especially Daniel Kaluuya and the actors portraying the Armitage household, who deliver incredible performances primarily through facial expressions and emotions. A great experience seen in the movie theater! (28/04/2017)

I liked the way it respectably maintained its detachment. Whether in its choice of music, the literally absurd composition of some scenes, or the grotesque "airport security dude who's a better investigator than the classic cops" storyline. I also liked the fact that, though racism is used as a central theme, it is not in any way agitprop, and Jordan Peele is actually very far from styling himself as any kind of moralist. In fact, Get Out is such a well-written and well-directed film that the theme of racism is more likely just used cleverly and satirically to its own advantage. Plus, I'm certainly not afraid to say that I found this "satirical horror film about racism" extremely entertaining. If Jordan Peele wanted to make a point, he did so in a way that was very intelligent, entertaining, and helped with a royal dose of detachment. When near the end Rose is scrolling through the "Top NCAA Prospects" search results page to the sound of the intoxicating "Time of My Life", I honestly laughed my heart out. "I told you to get the fuck out that house, man." (04/11/2018)