Miss Sloane

The ending is a bit far-fetched (no predatory lobbyist would have vacated her position so easily, realizing the immorality of her lifestyle), but otherwise it is a decent and quite believable drama from behind the political scenes. Not to mention that the right to own a gun is one of the issues that resonates strongly in today's society. Elizabeth Sloane has got this downright masculine environment under her thumb, and Jessica Chastain lent her face to it, playing the demanding role perfectly. (75%) (28/04/2022)

Is successful Jonathan Perera just a pen name of Aaron Sorkin or not? That's the question. Rather, it is not, because such a purely Sorkin script would not have been able to make even Sorkin himself, despite all the efforts. Machine-gun reciting dialogs, constant frenetic movement, ties and suits, fancy offices, characters serve purely as bearers of convictions / attitudes, actors from the Newsroom, behind the scenes and politicking with the high politics closely connected with the profession (in this case lobbying) and so on. Yes, this is an open-minded film (in the style of The Life of David Gale and his attitude toward the death sentence), but it's not a bad thing, not at all. It is captured in a sophisticated and emotional way. In addition, at its core it is a damn successful Heist movie, which follows all the rules of the genre. And even without a robbery as such. The more experienced viewer will undoubtedly see the final move through at the beginning (which does not detract from the impressive performance), but it´s not a bad thing, because it´s characterized with such an uncompromising goal-orientation, gradation (Max Richter has a lion´s share on it, as expected), the cool visuals and acting that it can be enjoyed on more levels than just “leftist lobbying for stricter arms purchase rules and cleaner policies". (29/08/2018)

A polished film with the amazing Jessica Chastain in an extremely believable role as a cunning careerist who probably just had a bit of a conscience stirred in her. Or has she? The main character prides herself on always being one or two steps ahead of everyone else (and of the viewer, as it happens), so there's no shortage of surprises, and although you might manage to predictsome twists in advance, you certainly won't guess all of them. (28/06/2020)

"Elizabeth Sloane? She's a woman who pees standing up, and I don't even do that," says a colleague about his boss with respect. Don't be fooled by the seemingly fragile appearance of a slender beauty. Elizabeth is definitely not a typical member of a lobbying company or a gray office mouse. She belongs to the best in her industry, has a reputation as a tenacious terminator who manipulates the public, politicians, and her opponents with the cunning of a fox and surgical precision, and sooner or later pushes the legal norm into a form that suits her client. Remarkable is primarily her ability to skillfully balance on the edge of the law and exploit every loophole in her favor. Elizabeth Sloane is a workaholic who has turned her profession into a passion and sacrificed her family and emotional life for it. Mrs. Sloane certainly likes money, but as the saying goes, it is definitely not everything. Properties, valuable gems, and valuable papers are also important. However, for Elizabeth, another valuable commodity is not diamonds, but the satisfaction of her ego. When she receives an offer from a nonprofit organization to push for gun control against the will of powerful arms corporations, she turns against her former employer and decides to fight the battle for change on the side of good. However, she uses the same style and means as before. Angelic goals and hellish tools clash a bit, not to mention that the new opponents have already figured Sloane out like yesterday's news. How will this turn out? The truth is that Miss Sloane is not a typical popcorn movie, but a cleverly constructed drama based on dialogues and psychological confrontations - therefore requiring some concentration. The world of lobbying is not as popularly mapped as courtroom dramas, making it more difficult to navigate its environment. A script this good is rare (even the apparent shortcomings gradually turn in its favor) and more than compensates for all the obstacles. It's Hollywood material, but damn good quality. Jessica Chastain certainly can't complain about the roles she gets, but the cunning Sloane, tough as granite, is her most rewarding part so far. Everything that was missing from the ambitious and anticipated Molly's Game is present in abundance here. My thumb is unreservedly pointing upwards. Overall impression: 90%. (14/09/2018)

Jessica Chastain is a great actress, and Miss Sloane definitely relies on that. It's her who grabs the most attention, actually in all her roles. There are other excellent actors, even some legends, but it's her who shines. It's a pity that the script, which in the end is just a fairy tale, failed to shine similarly. (27/03/2017)