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The internal political landscape of 1950's Soviet Russia takes on darkly comic form in a film by writer/director Armando Iannucci. In the days following Stalin's collapse, his core team of ministers tussle for control; some want positive change in the Soviet Union, others have more sinister motives. Their one common trait? They're all just desperately trying to remain alive. (Entertainment One)

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Reviews (10)

D.Moore 

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English A completely awesome comedy, and what I like most is the fact that it’s not even a little idiotic. The film humorously talks about serious things without ridiculing or belittling them. The script is packed with tremendous jokes, the cast works together like clockwork (Steve Buscemi and Michael Palin were a safe bet, but when Jason Isaacs' Zhukov burst onto the scene, everything got even better) and not a single joke is left without a point. Hand on heart, the Russians would ban this film even if it wasn't a comedy and if it depicted everything literally and deadly seriously - but then I would certainly have no desire to see it again and again. And again. ()

EvilPhoEniX 

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English Excellent post-war satire, interwoven with very funny and apt black humour, great acting performances (Steve Buscemi and Simon Russel Beale are excellent), plus traditional executions and a stiffing atmosphere, so for me great satisfaction and surprisingly decent entertainment. From the turn of the year quite possibly, the best we've had. Long live Stalin! It should definitely be shown in schools. 85%. ()

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Lima 

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English Making fun of a scum like Stalin and the Bolshevik cadres deserves praise, but I didn't find the film very funny. The humour was quite forced and ham-fisted, I guess I'm not the right viewer for such unbridled shenanigans. The casting, with the exception of Khrushchev and Molotov (the always reliable Buscemi and Palin) was one big blunder, especially with Stalin himself, who came across more like a nice old man than the charismatic, demonic Satan. ()

novoten 

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English We lost the pace. I don't even recognize Armando Iannucci because this could not possibly be the same writer who was responsible for the first four seasons of Veep. I'm not saying that he didn't touch upon controversial and sensitive topics there, but he definitely didn't handle them with subtlety. This controversial area deserves deep and sharp cuts, but instead you get good humor and some kind of secondary layer for the audience to search for, not to mention the clever and discreet jokes. The last salvation, of course, are the actors, especially the truly despicable Simon Russell Beale and the eagerly anticipated Jason Isaacs, who gets about one-tenth of the screen time that I expected after watching the trailer. ()

J*A*S*M 

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English The perfect film to “celebrate” the Victorious February. It’s very funny and dark, but also chilling when you realise that some of the events portrayed are not that far from the realities of a totalitarian regime. So, let’s hope that the gradual stupidisation of this country won’t make us go through something like this again. Otherwise, when compared to this film, the Czech satire President Blanik looks pretty sad. It’s on another level. ()

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