Wonder Wheel

  • USA Wonder Wheel (more)
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We're in Coney Island in the 1950s. A lifeguard (Justin Timberlake) tells us a story that just might be filtered through his vivid imagination: a middle-aged carousel operator (James Belushi) and his beleaguered wife (Kate Winslet), who eke out a living on the boardwalk, are visited by his estranged daughter (Juno Temple) - a situation from which layer upon layer of all-too-human complications develop. (New York Film Festival)

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Reviews (9)

NinadeL 

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English At first, I admittedly wasn't thrilled with the subject matter of this new Allen film - the 1950s at Coney Island? And with Kate Winslet? However, in the end I was satisfied, as I have been so many times when Allen has made a retro film. Wonder Wheel is narrated by a young Justin Timberlake (and he's surprisingly very good), his counterpart is an aging Jim Belushi (unsurprisingly great, since he's been one of those who’s been great for years), and in between are two women, the aforementioned Winslet as an aging actress out of work and Juno Temple as a blonde bimbo in trouble. Wonder Wheel can thus spin boldly with all those typical attributes. There are numerous references to pop culture, there is intensified love of cinema and theater, a lot of quotes from O'Neill's plays, and of course fate in the sense of ancient dramas. It's nothing new or surprising from Allen, but once again it's a very enjoyable experience. There is undeniable value in being reunited with interesting dialogue, meaningfully constructed twists and turns, and authentic production design that few productions around the world actually dabble with to such an extent. The atmosphere is magical and almost tangible, pleasantly cool in the rain and hot in the sultry summer. I really hope the scandal of 2018 doesn't spell Allen's untimely demise. His late films are more exceptional every year, which is especially evident when confronted with the many new superficial films of today. ()

Necrotongue 

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English Now this was a great film to spoil the mood. I liked that the story was set in the 1950s, only to gradually realize that there would be nothing else to like. The talkative lifeguard got on my nerves from the start, the vast majority of the dialogue was dull, and Ginny was beyond unlikeable. Moreover, the story had a very slow pace, and I was bored. Woody Allen didn't score any points with me this time. ()

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Kaka 

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English An over-the-top theatrical extravaganza in the fun atmosphere of 1950s New York, backed by musical bangers of the era, as well as the legendary Coney Island – a gratifying backdrop for countless filmmakers. The content is always on the same note, a poignant story of ordinary people and their ordinary lives full of bits of happiness and disappointment. Kate Winslet lightly digs Cate Blanchett at times, and on the whole she succeeds. Justin Timberlake is again heavy on charisma. But don’t expect anything revolutionary. ()

kaylin 

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English I almost want to say that this is a classic Woody Allen film, although this time I found his story really simple and it is saved by the performances, which are excellent in all cases, at least as far as the main roles are concerned. Kate probably stands out the most, but the film doesn't give her the space to really shine as an actress. ()

D.Moore 

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English Woody Allen again wrote it and filmed it himself, and I enjoyed it again. The well-arranged retro story with great actors (Kate Winslet and Jim Belushi are simply amazing) offers a familiar plot, but that doesn't mean that it can't surprise or that it lacks unforgettable moments (the phone call). The extra colorful retro camera initially goes well with the plot, but then it gradually begins to contrast sharply with it, which is a great idea, and I really liked the simple but impressive metaphor with a little pyromaniac who, like his mother, just can't help it. ()

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