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Written and directed by Scott CooperHostiles takes place in 1892 and tells the story of an Army Captain (Christian Bale) who reluctantly agrees to escort a dying Cheyenne chief (Wes Studi) and his family back to tribal lands. On the journey, they meet a widow (Rosamund Pike) whose family was murdered on the plains and offer their help. As the former rivals make their way from an isolated Army outpost in New Mexico to the grasslands of Montana, their relationship moves from antagonism to compassion, demonstrating humans’ capacity for change. (Entertainment in Video)

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3DD!3 

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English Nontraditional western with almost philosophical contemplations about death. Mainly about the death of loved ones. In his role of a mumbling captain, Bale caught the right wave again, his torn soul shining in his eyes. In her supporting role, Rosamund Pike skillfully steals the strongest scenes for herself e.g. with the sleeping children and shooting the corpse. A story wrapped inside an almost ironical pilgrimage towards death also boasts amazing visuals. There could be more of Foster, he makes just a fleeting appearance. I was just doing my job. ()

EvilPhoEniX 

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English The first cinema experience of the year. Scott Cooper serves up a gritty adventure western with the Apache! Starring a solid Christian Bale, Rosamund Pike and Ben Foster. The film has a slower pace, but a very tense atmosphere, beautiful scenery, lots of disgusting maniacal Apaches who have no problem murdering an entire family and their children (the opening scene is very intense) and a great soundtrack. There are only four action scenes, but they are authentically filmed, with excellent sound design and very tense to the point of being breathless. This dead genre has been slowly reviving and gaining momentum for the last two years and that's only a good thing. 75% ()

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Malarkey 

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English The premise gave me a feeling that this would be one of the best Hollywood experiences. And it really was. It has exactly everything is should and nothing more, nothing less. Christian Bale and Wes Studi greatly portray the best warriors of their respective sides and as destiny has planned, at the end of their lives they meet again just so one of them can carry the other home. And it is done on the President’s order. Brutal bloody scenes, unbelievably strong emotions, characters you pity, the darkness in their minds you can’t understand and the scenes you won’t forget. Undoubtedly a great experience and the last scene is probably the most beautiful and poetic movie ending I have seen in years. ()

Necrotongue 

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English Christian Bale is a sure bet for me, which was confirmed to me yet again. I had trouble sympathizing with the rancher family from the opening scene. If a bunch of people settled on my land and declared it their property, I wouldn't be open to discussion either, but Bale's racist Captain Blocker was excellent. The whole trip to Montana would have been mind-numbingly boring, but fortunately for the viewer and, unfortunately for those involved, it was disrupted by occasional violent events. The atmosphere was properly dismal, and the guardians of world democracy once again showed themselves in their true light, so I was almost completely satisfied. The only thing that spoiled my overall impression a little was the ending. ()

lamps 

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English Apocalypse Now of the American West. A completely different western, and gorgeous. A structure based on Coppola's legend that takes you through a thematic landscape in search of epiphany and awareness, with great performances, a tender yet unsettling minimalist soundtrack and unprecedented spiritual depth, and an ending that will make you want to cry together with the protagonists. The filmmaking is deliberately austere, but Cooper scores again with a sensitive narrative that, while slow, can hardly be faulted in terms of the key emphasis on the interactions between the characters and the overall critical portrayal of America's ugly phase at the time. Perhaps there could have been fewer of those puzzling scenes by the fire and the development of the relationship between the captain and the chief is too fast, but this has no effect on the overall emotional and mental catharsis. How the hell didn't this have any Oscar nominations?!! ()

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