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The third movie in French film-maker Jacques Tati's series of comedies in which he stars as the accident-prone Monsieur Hulot, who creates chaos wherever he goes. Hulot and a group of American women tourists travel through Paris. While he struggles to keep an appointment, they search for the romantic Paris of old. Tati's satirical view of modern city life was played out entirely on a vast mobile set, known as `Tativille', just outside Paris. (StudioCanal UK)

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Reviews (2)

lamps 

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English A film where everything happens very quickly and chaotically, but at the same time nothing happens – just like in the modern, impersonal times it satirically describes. That the work with sound perspective is amazing (as it is) and that every formal choice matches to perfection Tati's symbolic intentions is not enough to make the film a mega-fun and inspiring classic. There are some really great ideas, and the restaurant scene is certainly good, but I can't shake the feeling that it's disproportionately drawn out, and that if I were to film me and my friends' nightlife, the mise-en-scène would have offered far greater and more numerous gems to laugh at, in every sense… ()

kaylin 

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English Jacques Tati's films are so specific that you feel like you are watching someone who understood the world so uniquely that either you tune into his wavelength or not. In this case, it is a film that is and is not a grotesque, is and is not a comedy. Such portrayal of society is truly not far from reality, which sometimes gives quite a chill. ()