Obchod na korze
Cinematography:
Vladimír NovotnýComposer:
Zdeněk LiškaCast:
Ida Kamińska, Jozef Kroner, František Zvarík, Hana Slivková, Martin Hollý st., Elena Zvaríková-Pappová, Martin Gregor, Adam Matejka, Mikuláš Ladižinský (more)Plots(1)
‘Tóno’ Brtko, a poor carpenter, is appointed by his despised Nazi brother-in-law to be 'Aryan controller' of an old Jewish widow’s sewing shop in a Nazi-occupied Slovakia in 1942. The widow, Rozalia (Yiddish theatre legend Ida Kamińska, nominated here for a Best Actress Oscar® for her performance) is near deaf, isolated and partially sighted, barely even aware of the war or able to comprehend the danger in which she lives. Believing Tóno is simply her new assistant, the two develop a friendship that sees him maintaining that fiction as he attempts to protect her from the encroaching Nazi horror. The Shop on the High Street is a complex tale of common lives disturbed and destroyed by war. Wonderfully written and performed, and with an extraordinary Zdenek Liška score, the film becomes a devastating examination of how minor compromises can finally lead to complicity in the horrors of tyranny. Winner of the Oscar® for Best Foreign Language Feature in 1965, Ján Kadár and Elmar Klos’ The Shop on the High Street (aka The Shop on Main Street) is one of the cornerstones of World Cinema, and perhaps the most internationally renowned film in all Czechoslovak cinema. (Second Run)
(more)Reviews (9)
Yes, it is true that The Shop on Main Street is about, in essence, a pretty important topic in our history. In any case, it must be acknowledged that this film is from Slovakia rather than Czechoslovakia. This is not to say that it is more about Slovak history than Czech one, as it is clear to me things were exactly the same in Czechia. But the Slovaks contributed more to this film’s creation. Anyway, what didn’t sit well with me was the affected Slovak language, where I kept missing every second line and I had hard time getting into the story. Another problem, however, was the cumbersome filmmaking, where one had to pay a lot of attention in order to perceive every detail and nuance of the story.
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I can’t believe that I missed this gem for so long. There have been many films with similar themes in the post-war wave of cinema, but patriotically I have to shout to the world that none can match the Czech Higher Principle and the Slovak The Shop on Main Street. An incredibly climactic and powerful story that the heroic performances of Kaminska and Kroner in particular make it gripping from the first minute to the last depressing shot. The Slovaks can be rightly proud, this film should have won more than one Oscar. 100%
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I've been struggling with accepting The Shop on Main Street for years and it's still like being at sea, once down, once up. The work of the Kadár/Klos duo will always be problematic because their joint ascension in the 1950s is one perversion after another. The Shop on Main Street has a theme comparable to the appeal of Zinnemann's The Search, which is nice, but the tragedy encapsulated in the character of Ida Kaminská is too complicated to be so easily eclipsed by Kroner's traditional citizen in moral distress. Unfortunately, today it is also difficult to understand the dialogues that sovereignly combine Slovak, German, and Yiddish. There could not be a more atypical film for Czechoslovak cinema, and yet it is the one that represented 20 years of State Film in its time and is now honored with the Academy Award as eternal and divine.
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A great example that Czech, Czechoslovak and Slovak cinematography definitely have something to say and draw from. A perspective on war through the eyes of ordinary people, a perspective on war through the development of one character, and a development that is brilliantly destructive. What the main pair of actors showcase is as incredible as the masterful experimentation of the directing duo. One of the peaks of Czechoslovak cinematography. Actually, of Czech and Slovak independent cinematography as well.
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A Czechoslovak cinematic gem that deservedly won the Oscar for Best Foreign Language Film. This superbly constructed story imbued with an atmosphere of fear and emotionally built to the max, is a chillingly accurate portrayal of the time period it is about. The film is adorned with literally fascinating performances by Jozef Kroner and Ida Kamińska. I dare say they both presented themselves here in the best roles of their lives. The last half hour blew my mind. In fact, I can't remember if I've ever had a similarly strong emotional experience with any other film.
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