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Clint Eastwood directs this drama based on the autobiography of Chelsey Sullenberger. Tom Hanks stars as pilot Chelsey 'Sully' Sullenberger and Aaron Eckhart as his co-pilot Jeff Skiles, who were at the helm of Flight 1549 in 2009 when, shortly after take-off, the plane hit a large flock of birds which disabled both engines. In the face of immediate danger, Sully took the decision to make an emergency landing on the Hudson River and successfully managed to save the lives of everyone on board. Laura Linney also stars as Sully's wife Lorraine. (Warner Bros. Home Entertainment)

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Reviews (13)

DaViD´82 

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English No excuses, no messing around, only sensitively dosed pathos and no clichés. Through a cleverly constructed structure the movie doesn't beat about the bush, in other words it directly portrays the conflict of a man who while flying the aircraft without engines failure accomplished seemingly impossible and who is subsequently, under the pressure of others, begin to doubt whether by chance what he did, on the contrary, was not the worst possible solution and unnecessary bravery. Hanks proves again that he has no competition overseas when it comes to the box of "ordinary good guys next door". It hit the bull's-eye and is gripping at all times, during the freezingly calm and controlled crisis landing itself, in the moments of the beginning of panic and after it, during the intense questioning in front of the commission and during the self-searching wandering through frozen New York. Although it might seem like a Zemeckis' Flight at first glance, it is much closer to Greengrass’ United 93. ()

Matty 

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English Sully is an ingeniously constructed portrait of a disciplined professional who is haunted by doubts about whether he did the best job he could do. Eastwood composes the image of the central “miracle” and the portrait of the protagonist from several flashbacks, each of which accentuates a different level of the event and are then collectively mirrored in Sully’s final speech highlighting the merits of the crew. Though, thanks to Hanks, Sullenberger is a more charismatic personality than he seems to be from the way he describes himself in the book on which the film is based, he is still a rather ordinary working man of firm principles and unchanging rituals, not a hero who humorously comments on every difficulty and effortlessly overcomes every obstacle. Thanks to that, Eastwood is able to see the concept of heroism in a different light. Anyone can become a hero regardless of the brilliance of their character traits, if they “just” do what they do best. 80% ()

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gudaulin 

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English Sully is a partially procedural drama and, in a second aspect, as is customary for Clint, a film about American patriotism, which, however, is conveyed in reasonable doses and with an understanding of human nature. It relies on the experienced Tom Hanks, who seems to have been born for such roles and does not have any significant weaknesses. The film has a reasonable length, a good screenplay, and a strong story. I would just note that I perceive the film not as a story about heroism, but about professionalism, which is, after all, very important in my profession. Overall impression: 75%. ()

Zíza 

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English Clint knows how to play the viewer. He has a very gentle and understated way of introducing a character you will like who will make the film fun for you. He also sets it in some sort of framework of human drama. Here, he didn't even have to make it up, here it was written by fate itself, so it's actually all the better for it. Maybe. A very good film, strong, can definitely play on the viewer's heartstrings, the acting is actually flawless. But I guess I've seen too many similar films that I'm not particularly blown away by it. The movie’s over and I know I won't watch it again or remember it tomorrow. Otherwise, if it ends up leaving something in me, I'm raising my rating. But at this point "only" a strong 3 stars. ()

Malarkey 

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English Isn’t Clint Eastwood overdoing it it a bit with the nationalism? OK, I can take a war movie about a famous American flag, I can even take the story of an American sniper, whose life is quite tough, but is it really necessary to shoot a detailed reconstruction of how a plane landed on the Hudson River eight years ago? I’m not surprised that without the opening and closing credits this movie takes hardly 90 minutes because there really isn’t much to add. And I have to say that I didn’t really like the digital effect scenes involving the plane. Maybe fifteen years ago, but today? Thank god Tom Hanks was cast in the lead role because he’s not going to get any worse. But for the rest, I don’t want to see that ever again. ()

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